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  • × year_i:[2020 TO 2030}
  • × author_ss:"Bawden, D."
  1. Gorichanaz, T.; Furner, J.; Ma, L.; Bawden, D.; Robinson, L.; Dixon, D.; Herold, K.; Obelitz Søe, S.; Martens, B. Van der Veer; Floridi, L.: Information and design : book symposium on Luciano Floridi's The Logic of Information (2020) 0.00 
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    Abstract
    Purpose The purpose of this paper is to review and discuss Luciano Floridi's 2019 book The Logic of Information: A Theory of Philosophy as Conceptual Design, the latest instalment in his philosophy of information (PI) tetralogy, particularly with respect to its implications for library and information studies (LIS). Design/methodology/approach Nine scholars with research interests in philosophy and LIS read and responded to the book, raising critical and heuristic questions in the spirit of scholarly dialogue. Floridi responded to these questions. Findings Floridi's PI, including this latest publication, is of interest to LIS scholars, and much insight can be gained by exploring this connection. It seems also that LIS has the potential to contribute to PI's further development in some respects. Research limitations/implications Floridi's PI work is technical philosophy for which many LIS scholars do not have the training or patience to engage with, yet doing so is rewarding. This suggests a role for translational work between philosophy and LIS. Originality/value The book symposium format, not yet seen in LIS, provides forum for sustained, multifaceted and generative dialogue around ideas.
  2. Lee, D.; Robinson, L.; Bawden, D.: Orthogonality, dependency, and music : an exploration of the relationships between music facets (2021) 0.00 
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    Abstract
    The classification of Western art music is a complex area of knowledge organization, yet the reasons for those complexities have not been fully studied. This research dissects the concept of orthogonality, in particular regard to music classification. Orthogonality (antonym: dependency) means that one facet acts independently from another facet. Although orthogonality is an assumed quality of facets, it has attracted relatively little attention in knowledge organization discourse. This research utilizes bibliographic classification schemes, musicological writings, and musical works to analyze orthogonality in music classification. The relationships between the medium, form/genre, and function facets are unpicked and a strong dependency is found between these facets. Whether this orthogonality exists as a construct of faceted classification or stems from the domain knowledge is explored. Furthermore, the analysis initiates new thinking about the general concept of orthogonality. The idea of a spectrum of dependency is proposed. In addition, novel, orthogonality-derived phenomena are discussed-"dynamic facets" and "meta-dependency"-where the boundary between what is and is not a facet is blurred. The concluding model visualizes the chain of dependencies between music facets, ultimately showing how the lack of orthogonality plays a key role in the complexity and issues found in music classification.

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