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Source

Challenges and opportunities for knowledge organization in the digital age: proceedings of the Fifteenth International ISKO Conference, 9-11 July 2018, Porto, Portugal / organized by: International Society for Knowledge Organization (ISKO), ISKO Spain and Portugal Chapter, University of Porto - Faculty of Arts and Humanities, Research Centre in Communication, Information and Digital Culture (CIC.digital) - Porto. Eds.: F. Ribeiro u. M.E. Cerveira

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Challenges and opportunities for knowledge organization in the digital age: proceedings of the Fifteenth International ISKO Conference, 9-11 July 2018, Porto, Portugal / organized by: International Society for Knowledge Organization (ISKO), ISKO Spain and Portugal Chapter, University of Porto - Faculty of Arts and Humanities, Research Centre in Communication, Information and Digital Culture (CIC.digital) - Porto. Eds.: F. Ribeiro u. M.E. Cerveira

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Abstract

For most museums, online access to their collections is still a challenge. In museum databases, descriptions include descriptive metadata, along with other information that is often irrelevant to the public. Information that would help users to navigate from an object to one sharing similar characteristics is often absent. The conceptual model developed by the International Committee for Documentation, CIDOC-CRM, which provides a formal structure for linking museum objects, is still not widely adopted by institutions, due to its complexity. This project aims to provide a simpler model that could be more easily adopted. For this phase of the project, a sample of 266 Canadian museums with humanities collections (archaeology, ethnology, history, fine and decorative arts) was identified. It is composed of every museum that, during the fall of 2016, was offering to the public at least a part of its collection online. From each museum, a minimum of ten objects was selected, ensuring that the variety of the collections was represented, and extracted the metadata used in the object descriptions. This inventory, which aimed to provide a comprehensive picture of what museums already offer in terms of metadata associated to their online collections, exposed a lack of standardization and interoperability.

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Abstract

This project explores whether tattoos possess, according to those who sport them, the characteristics of a document and, if yes, to what extent. Eighty-eight tattoos, which were described in eighteen in-depth interviews with tattooed adults, are used as units of analysis and analysed following a conceptual framework that focuses on the complementarity of the material, mental and social aspects of documents. The analysis of the mental (or informational) aspect of tattoos indicates that participants distinctly distinguish between tattoos carrying a meaning from those that are purely aesthetic, and that the two types of tattoos can easily cohabit on the same person. The analysis of the social (or communicational) aspect of tattoos is divided into two sub-aspects: the choice of localization on the body and the choice of visual elements. Both, among the participants, were considered thoughtfully and, united, they often become a well-considered communication strategy. Results indicate that, while all tattoos carry material and social aspects, only those that carry a meaning for the individual sporting them appear to possess a clear mental aspect that would make them documents.