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  • × theme_ss:"Rechtsfragen"
  1. Seadle, M.: Copyright in a networked world : ethics and infringement (2004) 0.03
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    Abstract
    The statutes themselves are not the only basis for deciding whether an intellectual property rights infringement has occurred. Ethical judgments can also influence judicial rulings. This column looks at three issues of intellectual property ethics: the nature of the property, written guidelines for behavior, and enforcement mechanisms. For most active infringers digital property seems unreal, the rules ambiguous, and the enforcement statistically unlikely.
    Source
    Library hi tech. 22(2004) no.1, S.106-110
  2. Urheberrecht und digitale Technologie : Arbeitssitzung des Instituts für Urheber- und Medienrecht am 22. April 1994 (1994) 0.03
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    LCSH
    Digital communications / Congresses
    Subject
    Digital communications / Congresses
  3. Intellectual property and the National Information Infrastructure : the report of the Working Group on Intellectual Property Rights (1995) 0.03
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    Abstract
    Presents a summary of a report published by the US Department of Commerce on the impact of the National Information Infrastructure (NII), the information superhgihway, on copyright laws in the USA. Explains the backgroud to the report, the aims of the NII, the role of the Information Infrastructure Task Force (IITF) set up by the Clinton administration, and the work of the Working Group on Intellectual Property Rights within the IITF. Presents the report's recommendations to the US Congress on changes to copyright laws, including clarification of the copyright owner's distribution right and amendment of library privileges to bring them into the digital age.
    Date
    22. 7.1996 19:53:48
  4. Spiess, E.: Some problems with the use of electronic atlases (1995) 0.02
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    Abstract
    Discusses the challenges to the role of map librarian posed by new digital map products. Considers factors impacting on the level and scope of user services in digital map libraries, including the physical forms in which digital spatial data are available, the comparative potential of paper maps and digital atlases; problems associated with the quality of resolution of digital map data on screen; the different levels of use of digital material; and requests for output and the copyright problem. 4 examples of digital databases and electronic atlases are described
  5. Mathieu, C.: Internet-Inhalte sollen in die Bibliothek wandern : Webmaster werden verpflichtet, ihre Seiten als PDF-Datei zur Speicherung einzuschicken (2008) 0.02
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    Content
    "Die Angst ist nicht unberechtigt: Da viele Informationen nur noch digital abrufbar und gespeichert sind, könnten sie in den nächsten Jahrhunderten vielleicht unwiderruflich verschwinden. Von unserer Epoche bliebe wenig übrig, wenn all diese Daten vergessen würden. Je nach Inhalt kann das gut oder schlecht sein. Auf immer und ewig gespeichert werden soll er trotzdem. So sieht das jedenfalls die Bundesregierung und hat ein Gesetz verabschiedet, das bei vielen Betroffenen für Fassungslosigkeit sorgt. Denn: Die "Verordnung über die Pflichtablieferung von Medienwerken an die Deutsche Nationalbibliothek" schreibt vor, dass jeder Betreiber einer Website diese als PDF-Dokument speichern und an die Nationalbibliothek zu senden hat. Dort wird das deutsche Internet dann sicher aufbewahrt. Immerhin: Ausgenommen sind Seiten, die nur private oder gewerbliche Zwecke haben. Seltsam, wie sehr der logistische Aufwand unterschätzt wird. Eine aberwitzige Flut von PDF-Webseiten wird über die Nationalbibliothek hereinbrechen, die kaum zu bewältigen ist. Ebenso hat sich wohl niemand darüber Gedanken gemacht, dass beispielsweise Videos oder Tondokumente auf Webseiten abrufbar, als PDF-Dateien aber nicht zu sichern sind. Also wird letztendlich doch nur Halbwissen gespeichert. Und warum ausgerechnet private Seiten - die oft informativ sind - von der Archivierung ausgenommen werden, ist auch unklar. Stellt sich die Frage, welche Seiten dann überhaupt noch für die Bibliothek vorgesehen sind. Es bleibt ohnehin abzuwarten, ob die neue Verordnung in der Praxis tatsächlich durchsetzbar ist."
    Date
    3. 5.1997 8:44:22
  6. Lyons, P.: ¬The role of copyright in a digital environment (1991) 0.02
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  7. Ibbotson, J.: Copyright protection of images in the digital environment (1997) 0.02
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    Abstract
    All creators of copyright protected works are reassessing the protection and exploitation of their works in the digital environment. Attempts to define 'digital' in a copyright context and reminds artists and photographers of the essentials of copyright as they already apply in the UK before it looks at how those essentials may apply to images circulating in the digital environment
  8. Ciesielska, M.; Jemielniak, D.: Fairness in digital sharing legal professional attitudes toward digital piracy and digital commons (2022) 0.02
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    Abstract
    Contrary to a popular belief of lawyers having the most strict perception of law, law professionals actually strongly skew toward more favorable views of digital sharing. According to our qualitative study, relying on in-depth interviews with 50 Harvard lawyers, digital piracy is quite acceptable. It is considered fair, especially among friends and for noncommercial purposes. We argue that this not only can indicate that the existing law is becoming outdated because of its inability to be enforced, but also that ethically it is not corresponding to what is considered fair, good service, or being societally beneficial. The common perception of relying on a fixed price for digital content is eroding. We show that on the verges of business, society, and law, there is a potential for the new paradigm of digital commons to emerge.
  9. Vereinbarung über Vervielfältigung kopiergeschützter Werke (2005) 0.02
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    Content
    ""Zur Sammlung und Archivierung von Musikaufnahmen insbesondere für wissenschaftliche und kulturelle Zwecke darf Die Deutsche Bibliothek künftig auch kopiergeschützte Produkte kopieren", erklärt Gerd Gebhardt, Vorsitzender der deutschen Phonoverbände. Gleiches gilt auch für Werke aus Buchverlagen: "Nicht nur Bücher, sondern auch durch Rechtemanagementsysteme geschützte CD-ROMs oder eBooks dürfen von Der Deutschen Bibliothek nun zur Weitergabe an Berechtigte vervielfältigt werden", erklärt Wulf D. von Lucius, Vorsitzender des Urheberrechtsausschusses des Börsenvereins des Deutschen Buchhandels. Musikwirtschaft und Buchbranche haben zu diesem Zweck eine Vereinbarung mit Der Deutschen Bibliothek getroffen. Hiermit sind die berechtigten Interessen Der Deutschen Bibliothek und einzelner Nutzer, aber auch die Interessen der Rechteinhaber und Verwerter gesichert. Der Verbreitung von Kopien wird zunehmend mit Kopierschutz- und Digital Rights Management Systemen begegnet. Von dem im Urheberrechtsgesetz festgesetzten Verbot der Umgehung solcher technischer Schutzmaßnahmen ist auch Die Deutsche Bibliothek in ihrem Sammel-, Bereitstellungs- und Archivierungsauftrag als Nationalbibliothek betroffen. Um eine Langzeitarchivierung der von der Nationalbibliothek zu sammelnden Veröffentlichungen gewährleisten zu können, müssen die Medien in regelmäßigen Abständen an die aktuellen Datenformate, Betriebssysteme und Datenträger angepasst werden. Das Urheberrechtsgesetz sieht so genannte Schrankenregelungen vor, nach denen der Zugang zu urheberrechtlich geschützten Werken zu bestimmten Zwecken, wie zum Beispiel für wissenschaftliche und kulturelle Nutzungen, zulässig ist. Die letzte Novelle des Gesetzes, deren einschlägige Regelungen im September 2004 in Kraft getreten sind, sieht hierfür ausdrücklich die Möglichkeit von Vereinbarungen zwischen Verbänden vor, um diese Nutzungen auch von kopiergeschützten Medien zu ermöglichen. Als erste Branchen haben nun die Musikwirtschaft und die Buchbranche diese Möglichkeit genutzt und mit Der Deutschen Bibliothek eine vertragliche Vereinbarung geschlossen. "Die jetzt geschlossene Vereinbarung erlaubt Der Deutschen Bibliothek eine rationelle Erfüllung ihres gesetzlichen Auftrages und schafft Klarheit für den Umgang mit geschützten Medien wie Tonträgern und CD-ROMs im Verhältnis zu den Nutzern der Einrichtungen. Damit wird Rechtssicherheit für die Arbeit Der Deutschen Bibliothek geschaffen.", erklärt Elisabeth Niggemann, Generaldirektorin Der Deutschen Bibliothek. Nach der geschlossenen Vereinbarung darf Die Deutsche Bibliothek Vervielfältigungen für die eigene Archivierung, für den wissenschaftlichen Gebrauch von Nutzern, für Sammlungen für den Schul- oder Unterrichtsgebrauch, für Unterricht und Forschung sowie von vergriffenen Werken anfertigen. Um Missbrauch zu vermeiden, wird Die Deutsche Bibliothek das Interesse von Nutzern zur Anfertigung einer solchen gebührenpflichtigen Vervielfältigung prüfen und die Kopien möglichst mit personalisierten digitalen Wasserzeichen versehen. Ansprechpartner. Stephan Jockel, Pressesprecher, Die Deutsche Bibliothek. Tel.: 069 / 15 25 10 05, Claudia Paul, Referentin Presse und Information, Börsenverein des Deutschen Buchhandels. Tel.: 069 / 1306 293, Dr. Hartmut Spiesecke, Leiter der Presse- und Öffentlichkeitsarbeit, Bundesverband der Phonographischen Wirtschaft. Tel.: 030 / 59 00 38 22"
  10. Valauskas, E.J.: Libraries as multimedia machines : the impossibility of digital collections (1995) 0.01
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    Abstract
    The concept of a digital library has been stimulated by recent advances in computing technology. These developments hold the promise of transforming libraries into interactive centres of learning and research by virtue of inexpensive digital storage, easy-to-use search engines, and powerful computing hardware. However, libraries are handicapped in their move to digital collections by enormous legal problems in securing rights to much of the current literature. Solutions to this dilemma are not on the immediate horizon, but eventually will include changes in the current copyright law and technological arrangements to protect the interests of the owners of intellectual property. Suggests that librarians might find a more valuable role not in getting information to an electronic state, but in being its organizers and facilitators
  11. Carter, M.E.: Electronic highway robbery : an artist's guide to copyrights in the digital era (1996) 0.01
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  12. Eisenschitz, T.; Turner, P.: Rights and responsibilities in the digital age : problems with stronger copyright in an information society (1997) 0.01
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    Abstract
    Examines the basic principles underpinning copyright in the context of the European Commission proposals and reviews the historical background to the growth of copyright and the arguments that continue to be employed by right holders to push for more protection. Illustrates that, to safeguard information access in the digital realm any further, extensions in copyright must be balanced with reciprocal exceptions. Concludes with suggestions for possible future exceptions in the digital domain and suggests that a major concern is that copying may well be forbidden in digital environments without a proper consideration of the relationship between copying, information use and knowledge generation
  13. Lunin, L.F.: IBM announces electronic copyright solutions (1995) 0.01
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    Abstract
    IBM has launched its IBM Digital Library and associated technology as a proposed solution to unauthorised and unpaid use of electronic information. Describes marking, encryption, metering and billing: a digital version of the Vatican Library; an electronic version of Current Contents and the infrastructure of IBM's Digital Library including indexing and retrieval; text; graphics; images; audio and full motion video; and query by image content
  14. Fernández-Molina, J.C.; Peis, E.: ¬The moral rights of authors in the age of digital information (2001) 0.01
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    Abstract
    In addition to stipulating economic rights, the copyright laws of most nations grant authors a series of "moral rights." The development of digital information and the new possibilities for information processing and transmission have given added significance to moral rights. This article briefly explains the content and characteristics of moral rights, and assesses the most important aspects of legislation in this area. The basic problems of the digital environment with respect to moral rights are discussed, and some suggestions are made for the international harmonization of rules controlling these rights
  15. Harrington, A.: Copyright law and the Internet (1996) 0.01
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    Source
    Digital publishing strategies. 1(1996) no.4, S.8
  16. Prinsley, M.: Internationally harmonised copyright of electronic publishing : conspicuous by its absence (1997) 0.01
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    Abstract
    Considers the international harmonisation of copyright law. Outlines the geo/political background. Gives a history of attempts by the European Union to control digital copyright and treaties agreed by the World Intellectual Property Organization in 1996 to deal with material in digital formats. Outlines copyright infringement, types of databases and their varying copyright protection
  17. Coelho Bezerra, A.; Sanches, T.: Copyright infringement : between ethical use and legal use of information (2018) 0.01
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    Source
    Challenges and opportunities for knowledge organization in the digital age: proceedings of the Fifteenth International ISKO Conference, 9-11 July 2018, Porto, Portugal / organized by: International Society for Knowledge Organization (ISKO), ISKO Spain and Portugal Chapter, University of Porto - Faculty of Arts and Humanities, Research Centre in Communication, Information and Digital Culture (CIC.digital) - Porto. Eds.: F. Ribeiro u. M.E. Cerveira
  18. Lipinski, T.A.: ¬The myth of technological neutrality in copyright and the rights of institutional users : Recent legal challenges to the information organization as mediator and the impact of the DMCA, WIPO, and TEACH (2003) 0.01
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    Abstract
    This article discusses the accelerating trend of ownership rights in digital property, copyright, in specific. This trend is in contrast to the stated legislative purpose of copyright law to be neutral as to the technology that either owners employ to embody the copyrighted work or that others employ to facilitate access and use of the work. Recent legislative initiatives as well as interpretive court decisions have undermined this important concept. There is an ascendancy of digital ownership rights that threatens to undermine the concept of technological neutrality, which in essence guarantees that ownership and well as "use" rights apply equally to analog and digital environments. The result of this skewing is twofold: an unstable environment with respect to the access and use rights of individuals, institutions, and other users of copyrighted material, and the incentive of copyright owners to present works to the public in digital formats alone, where ownership rights are strongest. This article attempts to plot that digital ascendancy and demonstrate the undermining of neutrality principles.
  19. Poscher, R.: ¬Die Zukunft der informationellen Selbstbestimmung als Recht auf Abwehr von Grundrechtsgefährdungen (2012) 0.01
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    Date
    22. 2.2018 12:06:44
    22. 2.2018 12:13:53
  20. Steele, C.: Copyright: some electronic dimensions of electronic publishing (1995) 0.01
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    Abstract
    Raises a number of questions concerning current issues and problems in publishing and electrocopying in the academic field. Considers the influence of the Internet, the role of publishers in the future academic market, and how copyright law might develop as a result of changes in the digital world. Scholarly authors may in fact be better renumerated without publishers: universities will become Internet publishers. In the USA, 16 research institutes and libraries have formed the Digital Library Federation, and various models for scholarly communication in the electronic age are under discussion, aimed at providing appropriate methods of copyright clearance and renumeration mechanisms

Years

Languages

  • e 35
  • d 19

Types

  • a 48
  • m 5
  • el 2
  • s 1
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