Search (7 results, page 1 of 1)

  • × year_i:[2000 TO 2010}
  • × theme_ss:"Schöne Literatur"
  1. Schwarz, R.: SL-IK o.K. : oder: Interessenkreise für schöne Literatur unter Dach und Fach (2000) 0.05
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    Source
    Ekz Report. 2000, H.2, S.4
    Year
    2000
  2. Wilson, M.D.; Spillane, J.L.; Cook, C.; Highsmith, A.L.: ¬The relationship between subject headings for works of fiction and circulation in an academic library (2000) 0.04
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    Source
    Library collections, acquisitions and technical services. 24(2000) no.x, S.459-465
    Year
    2000
  3. Saarti, J.: Taxonomy of novel abstracts : based on empirical findings (2000) 0.03
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    Source
    Knowledge organization. 27(2000) no.4, S.213-220
    Year
    2000
  4. Carlyle, A.; Summerlin, J.: Transforming catalog displays : records clustering for works of fiction (2000) 0.02
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    Source
    Dynamism and stability in knowledge organization: Proceedings of the 6th International ISKO-Conference, 10-13 July 2000, Toronto, Canada. Ed.: C. Beghtol et al
    Year
    2000
  5. Aikawa, H. (Bearb.): Guidelines on subject access to individual works of fiction, drama, etc. (2000) 0.02
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    Year
    2000
  6. Kreider, L.J.: LCSH works! : Subject searching effectiveness at the Cleveland Public Library and the growth of Library of Congress Subject Headings through cooperation (2000) 0.02
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    Year
    2000
  7. Miller, C.: All new subject access to fiction : how a cultural Zeitgeist with gray hair informed ALA's guidelines . . . (2003) 0.01
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    Abstract
    In 1990, the American Library Association published its Guidelines on Subject Access to Individual Works of Fiction, Drama, Etc. Neither the 1990 Guidelines nor the work's subsequent 2000 edition is terribly concerned with explaining why increased subject access to works of imaginative literature has come to be needed now more than in the baker's century after Cutter first allowed for such access. Inherent to the 1990 Guidelines is the notion that works of imagination have a value such that they deserve to be accessed in more or less the same manner that nonfiction works are accessed, through aboutness as well as whatness. The paper purports that the origins of this change in cataloging policy are far from humble, that they can in fact be located in a broad swath of social historiography and literary criticism.