-
Abell-Seddon, B.: Museum catalogues : a foundation for computer processing (1987)
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- Abstract
- This book investigates the principles of cataloguing museum objects; the main aspects discussed are record structures, terminology and conventions
- PRECIS
- Museums / Stock / Documentation / Applications of computer systems
- Subject
- Museums / Stock / Documentation / Applications of computer systems
-
Cappelini, V.: ¬La telematica e i beni culturali (1995)
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- Abstract
- The head of electronic engineering at Florence's Universita degli Studi describes how the department has used digitized imaging and computer reconstructions to aid the restoration and preservation of works of art in museums such as the Uffizi. The dapertmant shares in the MAN (Metropolitan Area Network) Toscana Telecoms project, whose applications include remote access to libraries and museums; and it also takes part in the EU MUSA project, which developed the Vasari (Visual Arts Systems Archiving Retrieval Images) scanner, and in the RAMA (Remote Access to Museum Archives) scheme
-
Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992)
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- Abstract
- Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
-
Wolters, C.: Object databases and thesauri for small museums (1991)
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- Abstract
- Twenty years of experience with computers in museums has led from the original 'purely scientific' objectives to a more down-to-earth approach aimed at rationalizing repetitive procedures. Dealing with fragmentary or unclean data is of primary concern. In the 'small museums' project useful techniques from the field of thesaurus applications are customized in daily practice for this purpose
- Source
- Classification, data analysis, and knowledge organization: models and methods with applications. Proc. of the 14th annual conf. of the Gesellschaft für Klassifikation, Univ. of Marburg, 12.-14.3.1990. Ed.: H.-H. Bock u. P. Ihm
-
Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Abstract
- Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
- Date
- 1. 8.1996 22:01:00
- Footnote
- Übers. d. Titels: Thematic access to databanks on contemporary works of art
-
Saltzman, A.B.: Art slide sets : online access (1998)
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- Abstract
- Ellender Memorial Library at Nicholls State University, Louisiana has a slide collection including 10,000 slides in 60 sets devoted to art. Describes how the cataloguer solved the problem of entering sufficiently detailed records of this part of the collection on the OPAC of a small college library, using the OCLC authority file for artists' names and NUTPLUS which offers access via any combination of 15 data elements including e.g., aspects of the subject, call and item numbers and location of the works of art. NUTPLUS is now available in a new version, called Ultra-Plus Advanced, from Fairhaven Software of Stoughton, Massachusetts
-
Donnellier, C.: Micromusee : la base images des collections specialisees de l'ENSBA (1998)
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- Abstract
- The National School of Fine Arts houses collections of prints, manuscripts, photographs, drawings, paintings, sculpture, architectural designs and printed texts: in all some 200.000 works. The computerised joint catalogue project begun in 1992 already comprises 42.000 records and 4.000 images captured from the original indexes and catalogues. The software used, Micromusee, was developed specifically for special collections: MARC compatible, it offers both controlled and natural language searching, and is very simple to use
- Footnote
- Übers. des Titels: Micromusee: the image base of the ENSBA's special collections
-
Kemmerling, A.: ¬Het MIRO-project : kennisachterstand in museale informatieverzorging structureel aangepakt (1994)
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- Abstract
- Because of the individual character of museums the use of online catalogues to describe objects in the collections in the Netherlands has lagged behind that of libraries. In 1993 the MIRO (Museale Informatieverzorgingen Registratie Opleidingen) project was inaugurated to identify probllem areas and devise solutions. The project identified 4 areas for which training is required for museum staff: description of objects, compilation of indexes, automation in museums, and the use of multimedia systems. Following the project's report the Dutch government has dedicated extra funds for museum automation
-
Orna, E.; Pettitt, C.: Information management in museums (1998)
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- Abstract
- Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
- LCSH
- Information storage and retrieval systems / Museums
- Subject
- Information storage and retrieval systems / Museums
-
Paternò, F.; Mancini, C.: Effective levels of adaptation to different types of users in interactive museum systems (2000)
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- Abstract
- Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.5-13
-
Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009)
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- Abstract
- In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
- Source
- Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
-
Software-Vergleich Museumsdokumentation 1998 : Ein Bericht der Arbeitsgruppe Software-Vergleich in der Fachgruppe Dokumentation beim Deutschen Museumsbund (1998)
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- Theme
- Bibliographische Software
-
Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000)
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- Abstract
- This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.14-23
-
Im Dickicht der Fernseharchive : Ein neues Archivsystem unterstützt TV-Redakteure bei der zeitsparenden Zusammenstellung ihrer Beiträge (2003)
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- Abstract
- Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.
-
Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
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Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Source
- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
-
Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000)
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- Abstract
- This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
-
O'Keefe, E.; Oldal, M.: Cataloging Cultural Objects (CCO) (2009)
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- Abstract
- The entry provides an overview of the data content standard, Cataloging Cultural Objects (CCO), developed by the Visual Resources Association (VRA), and published in 2006 by the American Library Association (ALA). CCO fills a gap in the array of descriptive standards by providing guidelines for visual resources curators, museum documentation specialists, archivists, librarians, or anyone engaged in the documentation of works of art and architecture, objects of material culture, and their images. The entry begins by placing CCO within the context of object and visual image cataloging and the broader framework of data content standards. Following the organization of the guide, which is divided into three parts, General Guidelines, Elements, and Authorities, it summarizes the main features of CCO. Finally, it evaluates CCO in terms of its suitability for use by the metadata communities that form its intended audience, and its sustainability.
- Source
- Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
-
Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993)
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- Abstract
- A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
