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  • × theme_ss:"Objektdokumentation"
  1. Mensing, P.: Planung und Durchführung von Digitalisierungsprojekten am Beispiel nicht-textueller Materialien (2010) 0.01 
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    Content
    Darin auch: "2.7 Erschließung der Digitalisate Die formale Erschließung von gedruckten Beständen wird in Deutschland nach RAK-WB bzw. RAK-OB durchgeführt. Im Gegensatz zu Druckwerken, die meist alle wichtigen Informationen selbst enthalten (Impressum), sind in oder an Kunstwerken und Bildern meist keine Angaben wie Autor, Künstler oder Entstehungsjahr zu finden. Für die Formalerfassung von Nichtbuchmaterialien sind in Deutschland die "Regeln für die alphabetische Katalogisierung von Nichtbuchmaterialien" anzuwenden (RAK-NBM), eine Erweiterung der o.g. RAK. Zur Erschließung von Kunstwerken wurde seit den 70er Jahren des 20. Jhds. die Marburger-Index-Datenbank (MIDAS) entwickelt, die auf dem AKL, ICONCLASS und auch RAK aufbaut. MIDAS findet hauptsächlich in Museen Anwendung, konnte sich aber aufgrund der nicht verbindlichen Nutzung nicht durchsetzen. Ebenfalls aus dem Museumsbereich stammt CIDOC CRM, das seit 2006 ISO-zertifiziert ist (ISO 21127:2006) und der Datenfeldkatalog zur Grundinventarisation. Um die inhaltliche Erschließung von Bibliotheksbeständen einheitlich gestalten zu können, wurde die Schlagwortnormdatei entwickelt. Diese Datei ist universell ausgerichtet und ist daher für Spezialgebiete nicht tief genug ausgearbeitet. Im kunsthistorischen Bereich sind daher außerdem u.a. der AA und der AGM von Bedeutung. Als Klassifizierungssystem steht ICONCLASS zur Verfügung. Bei der inhaltlichen Erschließung ist darauf zu achten, dass irrelevante Informationen nicht zur unnötigen Vergrößerung des Kataloges führen. Um durchgängig eine größtmögliche Nutzerorientierung bieten zu können, sollten die gewünschten Prioritäten der Erschließung in einer Richtlinie festgehalten werden. Zur Interpretation von Bildern wurde von Panofsky ein 3-Stufen-Modell entwickelt, dass sich in prä- oder vor-ikonografische, ikonografische Beschreibung und ikonologische Interpretation unterteilen lässt. In der ersten Stufe werden nur die dargestellten Dinge oder Personen skizziert, ohne ihre Bedeutung zueinander zu interpretieren. Dies erfolgt erst in der zweiten Stufe. Hier wird das Ahema des Kunstwerkes allerdings ohne weitere Deutung benannt. In der dritten Stufe wird schließlich geklärt, warum dieses Werk so geschaffen wurde und nicht anders.
  2. Wunderlich, B.: ¬Die wissenschaftliche Erschließung von Bekleidung mit systematischen Ordnungssystemen im musealen Kontext : Wie bekommt man Hemd und Hose in die Datenbank? (2005) 0.00 
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    Date
    28.11.1999 13:32:29
    27. 9.2005 14:29:52
  3. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00 
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    Date
    6. 1.1997 18:30:28
    29. 8.2004 19:05:56
  4. Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.00 
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    Source
    Bibliotheksdienst. 29(1995) H.1, S.51-57
  5. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.00 
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    Date
    5. 3.1999 17:40:22
  6. Aha, S.: Arbeitsplatz Museum : Grundlagen der Digitalisierung von Arbeitsvorgängen an Beispielen aus der Museumspraxis in Berlin-Brandenburg (1996) 0.00 
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    Date
    28. 9.1996 20:12:47
  7. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.00 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  8. Abell-Seddon, B.: Museum catalogues : a foundation for computer processing (1987) 0.00 
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    Date
    28. 4.2003 13:33:11
  9. Hesse, P.: Von Null auf Hundert : Anwendung einer Datenbank zur Objektverwaltung in den Reiss-Engelhorn-Museen Mannheim (2003) 0.00 
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    28. 4.2003 13:30:10
  10. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.00 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  11. Krause, S.: CIDOC - Conceptual Reference Model : oder: das Schweizer Taschenmesser für die Museums- und Kulturinformatik (2002) 0.00 
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    Date
    28.11.2004 13:04:28
  12. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.00 
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    Date
    1. 8.1996 22:01:00
  13. Wright, R.: PRESTO - Multimedia archive preservation (2002) 0.00 
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    Date
    28. 4.2002 21:01:51
  14. Donnellier, C.: Micromusee : la base images des collections specialisees de l'ENSBA (1998) 0.00 
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    Date
    29. 1.1996 16:50:24
  15. Saltzman, A.B.: Art slide sets : online access (1998) 0.00 
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    Date
    10. 9.2000 17:54:29
  16. Petschar, H.: Vom Zettel- zum Bildkatalog : das Projekt "Digitales Bildarchiv" an der Österreichischen Nationalbibliothek - ein Werkstattbericht (2002) 0.00 
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    Date
    28. 4.2002 20:57:20
  17. Küster-Heise, K.; Mitschke, S.: Terminologie in der Museumsarbeit unter besonderer Berücksichtigung des Aspekts der Textilterminologie (2009) 0.00 
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    10. 5.2009 17:29:18
  18. Maier, G.: Neue Zugänge zu Archivgut über das Internet : Das BSZ als Dienstleister für die Staatliche Archivverwaltung Baden-Württemberg (2003) 0.00 
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    28. 4.2003 14:09:35
  19. Cataloging culutural objects : a guide to describing cultural works and their images (2003) 0.00 
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    2.12.2015 11:29:57
  20. Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010) 0.00 
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    Date
    29. 8.2010 12:31:55

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