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  • × theme_ss:"Geschichte der Kataloge"
  • × year_i:[2000 TO 2010}
  1. Buizza, P.: Bibliographic control and authority control from Paris principles to the present (2004) 0.10 
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    Abstract
    Forty years ago the ICCP in Paris laid the foundations of international co-operation in descriptive cataloging without explicitly speaking of authority control. Some of the factors in the evolution of authority control are the development of catalogs (from card catalog to local automation, to today's OPAC on the Web) and services provided by libraries (from individual service to local users to system networks, to the World Wide Web), as well as international agreements on cataloging (from Paris Principles to the UBC programme, to the report on Mandatory data elements for internationally shared resource authority records). This evolution progressed from the principle of uniform heading to the definition of authority entries and records, and from the responsibility of national bibliographic agencies for the form of the names of their own authors to be shared internationally to the concept of authorized equivalent heading. Some issues of the present state are the persisting differences among national rules and the aim of respecting both local culture and language and international readability.
  2. Bianchini, C.; Guerrini, M.: From bibliographic models to cataloguing rules : remarks on FRBR, ICP, ISBD, and RDA and the relationships between them (2009) 0.01 
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    Abstract
    This article discusses the changes that are occurring in the world of cataloguing. It argues that these changes need to be coordinated. It also discusses the feature of current OPACs, FRBR, the Paris Principles and its proposed replacement (ICP), AACR2 and its proposed replacement (RDA), ISBD, and the relationships between and among these standards. It argues that the syntax of ISBD is an essential component of RDA and all future international and national cataloguing codes.
  3. Liu, S.; Shen, Z.: ¬The development of cataloging in China (2002) 0.01 
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    Abstract
    With a long history, cataloging has evolved with changes in society, economy, and technology in China. This paper presents Chinese cataloging history in four parts, with emphasis on the last two parts: the founding of the People's Republic of China in 1949 and the development of cataloging after 1979 when China opened its doors to the world. Particularly important has been the rapid growth of online cataloging in recent years. The China Academic Library and Information System (CALIS), as a successful online cataloging model, is emphasized. Through investigation of the entire history of Chinese cataloging, three distinct features can be stated: (1) Standardization- switching from the Chinese traditional way to aligning with international standards, (2) Cooperation-from decentralized and self-supporting systems to sharing systems, (3) Computerization and networking-from manual operation to computer-based online operation. At the end of this paper, a set of means by which to enhance online cataloging and resource sharing is suggested.
  4. Takawashi, T.: Cataloging in Japan : relationship between Japanese and Western cataloging rules (2002) 0.01 
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    Abstract
    In 1943 the Japanese League of Young Librarians published Nippon Catalog Rules (NCR1942) based on ALA 1908, and adopted the author main-entry system for Japanese and Western materials. After World War II, the Japan Library Association (JLA) compiled and published NCR1952, based on ALA 1949 and LC 1949 but maintained the author main-entry system. The main-entry system was then replaced by an alternative heading method, which came to be known as the Description-Independent-System (DIS). NCR1965 adopted the main entry principle, which was based on the Paris Principles of 1961. NCR1977 was compiled and published by the JLA Cataloging Committee and based upon a "no-main-entry principle." Then in 1987, the Committee published the standard edition of the rules, which was completely compatible with the International Standard Bibliographic Description (ISBD). NCR1987R was published in 1994 and NCR1987R01 in 2001, which included revised "Chapter 9: Computer Files," devised according to ISBD(ER).
  5. Mulsow, M.: Jede, Autor seine Maske : Die Bibliothek als Theater: Vincentius Placcius erfindet 1708 das Karteikastensystem (2002) 0.00 
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    Content
    ""Larvatus prodeo": Mit diesen Worten erklärt Descartes 1619 gegenüber Beeckmann, er wolle seinen Untersuchungen nur versteckt und hinter einer Maske nachgehen. Simulation und Dissimulation waren in dieser Zeit fast unabdingbare Tugenden für denjenigen, der innovativ und jenseits der gängigen Pfade forschen und veröffentlichen wollte. Um so mehr, wurde es allerdings im Verlauf des siebzehnten Jahrhunderts zu einer Dringlichkeit für die "Historia litteraria", für die Orientierung in den Wissensbeständen also, den Autoren ihre Larven abzunehmen: zumindest post festum, nach dem Abflauen der jeweiligen stürmischen Kontroversen, die ihre Schriften ausgelöst hatten. Man empfand die Masse der nicht zuschreibbaren Titel als ein "Chaos", einen "Orcus", der zu bändigen sei. Diesem Bedarf kam schließlich 1708 der Hamburger Vincentius Placcius nach, mit dem ersten umfassenden Lexikon in dieser Sache, dem monumentalen "Theatrum anonymorum et pseudonymorum". Placcius ist auch der erste gewesen, der die Technik des Karteikastenschrankes publik gemacht hat; er kannte sich also aus mit der Bändigung von Wissen. Helmut Zedelmaier hat jüngst an Placcius erinnert, der als Schüler des Naturwissenschaftlers Joachim Jungius eine "Ars Excerpendi" geschrieben und darin die Entwürfe seines Lehrers veröffentlicht hat (Helmut Zedelmaier, "De ratione excerpendi: Daniel Georg Morhof und das Exzerpieren", in Francoise Waquet, Hrsg., Mapping the World of Learning: The "Polyhistor" of Daniel Georg Morhof, Wiesbaden 2000). Nach Zedelmaier war das Besondere an der von Jungius und Placcius verwendeten Methode, daß sie provisorisch war. Nicht mehr in Bücher mit festgefügten thematischen "Loci" schrieb man jetzt, sondern auf Zettel, die mit einer Halteklammer an metallene Registerkarten geheftet wurden. So konnten die Zettel nach Belieben umsortiert werden, wenn sich neue Bezüge für sie ergaben. Ein solches provisorisches Ordnen mag auch beim Aufspüren von larvierten Autoren geholfen haben. Der gelehrte Detektiv, der sich an ihre Fersen heftete, hatte immer neue Indizien zu kombinieren, bis sich das Rätsel um die Identität des Verfassers lüftete. Was heute die Recherche im Internet leistet, war damals noch Handarbeit. Anonymen- und Pseudonymenkataloge anzulegen ist im späten siebzehnten und frühen achtzehnten Jahrhundert fast zum Modephänomen unter wohlhabenden Gelehrtenavanciert. Wohlhabend: weil zu dieser Tätigkeit eine große Privatbibliothek gehörte, die sich nur mit beträchtlichen finanziellen Mitteln aufbauen ließ, zumal wenn sie seltene Texte oder gar Manuskripte enthalten sollte. Placcius' Buch ist ein Titelkupfer vorangestellt, auf dem ein Gelehrter in seiner detektivischen Tätigkeit mehreren Autoren die Masken vom Gesicht nimmt, so daß ihr wahres Antlitz sichtbar wird. Über der Szenerie hängen bereits eine ganze Reihe von Masken, die von erbrachten Sherlock-Holmes-Leistungen zeugen. Das "Theater", in dem sich diese Demaskierung vollzieht, ist natürlich die Gelehrtenbibliothek, und zwar eine Bibliothek hinter jener Bühne, auf der die larvierten Autoren aufgetreten sind. Im Hintergrund sind ein Merkur und eine Minerva sichtbar, Zeichen der Verbindung von Rhetorik und Vernunft in den Artes, und im tiefsten Hintergrund scheint die ephesinische Artemis auf, die Göttin der Natur, als letzter Referenzpunkt aller Künste. "Jedem das Seine" (suum cuique) steht als Motto über der Darstellung.
  6. Paasch, K.: ¬Die Bibliothek des Johann Christian von Boineburg (1622-1672) : Ein Beitrag zur Bibliotheksgeschichte des Polyhistorismus (2003) 0.00 
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    Abstract
    Der gelehrte Politiker und Diplomat Johann Christian von Boineburg baute seit seiner Ju-gend eine umfangreiche Bibliothek auf, die mit mehr als 10.000 Titeln zu den großen priva-ten Sammlungen des 17. Jahrhunderts zählte.Inhalt und Struktur der Boineburgica zum Zeit-punkt seines Todes sind durch einen Katalog bekannt, den der junge Gottfried Wilhelm Leibniz erstellte. Durch die Stiftung seines Sohnes, Philipp Wilhelm von Boineburg, wurde die Bibliothek in weiten Teilen für die Nachwelt erhalten. Auf der Grundlage des überlieferten Buchbestandes und des erhaltenen Kataloges der Bibliothek sowie des heute bekannten Briefwechsels entwirft die Arbeit ein Bild des Bücher-sammlers und -lesers Boineburg in seiner Zeit. Die Einbeziehung der überlieferten Drucke mit ihren handschriftlichen Einträgen ermög-licht die Rekonstruktion der Genese der Sammlung und die Analyse der Textaneignung durch ihren Besitzer. Gezeigt wird, inwieweit Boineburgs produktive Interessen und seine wissenschaftlichen Ambitionen neben seiner beruflichen politischen Tätigkeit und seinen mäzenatischen Aktivitäten die Zusammensetzung seiner Bibliothek begründen. Deutlich wird dabei auch Boineburgs Verwurzelung im Späthumanismus insgesamt. Im Kontext der privaten Büchersammlungen der Respublica literaria zwischen dem Dreißigjährigen Krieg und dem Beginn des letzten Drittels des 17. Jahrhunderts werden die individuellen Merkmale von Boineburgs polyhistorisch ausgerichteter Bibliothek dargestellt.
  7. Blake, V.L.P.: Forging the Anglo-American Cataloging Alliance : descriptive cataloging, 1830-1908 (2003) 0.00 
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    Pages
    S.3-22
  8. Steinhagen, E.N.: Historical perspective of a union catalog in Chile : authorities and periodicals (2003) 0.00 
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    Date
    29. 7.2006 20:06:22
  9. Blake, V.L.P.: Forging the Anglo-American cataloging alliance : descriptive cataloging, 1830-1908 (2002) 0.00 
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    Source
    Cataloging and classification quarterly. 35(2002) nos.1/2, S.3-22

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