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  • × author_ss:"Bearman, D."
  1. Bearman, D.: Actif et Interactif : Paris January 21-23 (1993) 0.02 
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    Abstract
    Report on Actif et Interactif, the European Conference on Interactivity amd Multimedia Publishing, sponsored by the French government to promote interactive multimedia indistries and investments, and held in Paris, 21-23 Jan 93. Issues covered: the potential of interactive multimedia; the emergence of the 'virtual museum'; a secondary school programme in Catalonia using the MPC standard; the work of the members of the European Museum Network; the Videomuseum Association; the history of the Evolution Gallery of the Museum of Natural History; the work of the interactive exhibition team; the potential of Kodak's PhotoCD format for museums; the Louvre's work with Kodak's PhotoCD, and museum products such as Les Parcs Nationaux programme the Cluny Abbey CD-ROM and the Network of Art Research Computer Image Systems in Europe digital slide / tape show
    Source
    Archives and museum informatics. 7(1993) no.1, S.12-13
  2. Bearman, D.; Trant, J.: When museum informatics meets the World Wide Web, it generates energy : Introduction (2000) 0.02 
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    Abstract
    Introduction to the special topic issue devoted to museum informatics and the WWW
  3. Trant, J.; Bearman, D.: Social terminology enhancement through vernacular engagement : exploring collaborative annotation to encourage interaction with museum collections (2005) 0.02 
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    Abstract
    From their earliest encounters with the Web, museums have seen an opportunity to move beyond uni-directional communication into an environment that engages their users and reflects a multiplicity of perspectives. Shedding the "Unassailable Voice" (Walsh 1997) in favor of many "Points of View" (Sledge 1995) has challenged traditional museum approaches to the creation and delivery of content. Novel approaches are required in order to develop and sustain user engagement (Durbin 2004). New models of exhibit creation that democratize the curatorial functions of object selection and interpretation offer one way of opening up the museum (Coldicutt and Streten 2005). Another is to use the museum as a forum and focus for community story-telling (Howard, Pratty et al. 2005). Unfortunately, museum collections remain relatively inaccessible even when 'made available' through searchable on-line databases. Museum documentation seldom satisfies the on-line access needs of the broad public, both because it is written using professional terminology and because it may not address what is important to - or remembered by - the museum visitor. For example, an exhibition now on-line at The Metropolitan Museum of Art acknowledges "Coco" Chanel only in the brief, textual introduction (The Metropolitan Museum of Art 2005a). All of the images of her delightful fashion designs are attributed to "Gabrielle Chanel" (The Metropolitan Museum of Art 2005a). Interfaces that organize collections along axes of time or place - such of that of the Timeline of Art History (The Metropolitan Museum of Art 2005e) - often fail to match users' world-views, despite the care that went into their structuring or their significant pedagogical utility. Critically, as professionals working with art museums we realize that when cataloguers and curators describe works of art, they usually do not include the "subject" of the image itself. Simply put, we rarely answer the question "What is it a picture of?" Unfortunately, visitors will often remember a work based on its visual characteristics, only to find that Web-based searches for any of the things they recall do not produce results.
  4. Bearman, D.: Complex or bleeding adge? (1993) 0.02 
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    Abstract
    Explains the components of an imagebase or multimedia project and the limitations of production technologies to capture images and sound. OCR is fine for business purposes but inadequate for archives or museum documentation. Examines at what point a research project is needed to overcome the limitations of production technologies. The technologies of artificial intelligence, virtual reality and natural language translation are way behind those of multimedia. Large imagebases are not yet routine but neither are they risky
    Source
    Archives and museum informatics. 7(1993) no.2, S.1-2
  5. Bearman, D.: Vocabulary control (1993) 0.01 
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    Source
    Archives and museum informatics. 7(1993) no.4, S.6-8
  6. Bearman, D.: Multi-level description (1994) 0.01 
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    Source
    Archives and museum informatics. 8(1994) no.1, S.80-83
  7. Bearman, D.: Preserving digital information : a review (1996) 0.01 
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    Source
    Archives and museum informatics. 10(1996) no.2, S.148-153
  8. Bearman, D.: State of electronic records management worldwide (1996) 0.01 
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    Source
    Archives and museum informatics. 10(1996) no.1, S.3-40
  9. Bearman, D.: Capturing records' metadata : unresolved questions and proposals for research (1997) 0.01 
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    Source
    Archives and museum informatics. 11(1997) nos.3/4, S.271-276
  10. Bearman, D.: How the information revolution might affect us professionally (1997) 0.00 
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    Source
    Canadian journal of information and library science. 22(1997) no.1, S.38-55

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