Search (15 results, page 1 of 1)

0.032380622 = product of:
  0.08095156 = sum of:
    0.06188791 = weight(_text_:semantic in 4265) [ClassicSimilarity], result of:
      0.06188791 = score(doc=4265,freq=2.0), product of:
        0.19245663 = queryWeight, product of:
          4.1578603 = idf(docFreq=1879, maxDocs=44218)
          0.04628742 = queryNorm
        0.32156807 = fieldWeight in 4265, product of:
          1.4142135 = tf(freq=2.0), with freq of:
            2.0 = termFreq=2.0
          4.1578603 = idf(docFreq=1879, maxDocs=44218)
          0.0546875 = fieldNorm(doc=4265)
    0.019063652 = product of:
      0.038127303 = sum of:
        0.038127303 = weight(_text_:web in 4265) [ClassicSimilarity], result of:
          0.038127303 = score(doc=4265,freq=2.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.25239927 = fieldWeight in 4265, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.0546875 = fieldNorm(doc=4265)
      0.5 = coord(1/2)
  0.4 = coord(2/5)

Source

Semantic web & linked data: Elemente zukünftiger Informationsinfrastrukturen ; 1. DGI-Konferenz ; 62. Jahrestagung der DGI ; Frankfurt am Main, 7. - 9. Oktober 2010 ; Proceedings / Deutsche Gesellschaft für Informationswissenschaft und Informationspraxis. Hrsg.: M. Ockenfeld

0.016201925 = product of:
  0.04050481 = sum of:
    0.01871778 = weight(_text_:retrieval in 3945) [ClassicSimilarity], result of:
      0.01871778 = score(doc=3945,freq=2.0), product of:
        0.14001551 = queryWeight, product of:
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.04628742 = queryNorm
        0.13368362 = fieldWeight in 3945, product of:
          1.4142135 = tf(freq=2.0), with freq of:
            2.0 = termFreq=2.0
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.03125 = fieldNorm(doc=3945)
    0.021787029 = product of:
      0.043574058 = sum of:
        0.043574058 = weight(_text_:web in 3945) [ClassicSimilarity], result of:
          0.043574058 = score(doc=3945,freq=8.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.2884563 = fieldWeight in 3945, product of:
              2.828427 = tf(freq=8.0), with freq of:
                8.0 = termFreq=8.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.03125 = fieldNorm(doc=3945)
      0.5 = coord(1/2)
  0.4 = coord(2/5)

Abstract

Purpose - This research project aims to provide a new visual representation of the Artefacts Canada digital collection, as well as a means for users to browse this content. Artefacts Canada Humanities is a database containing approximately 3.5 million records describing the different collections of Canadian museums. Design/methodology/approach - A four-step methodology was adopted for the development of the faceted taxonomy model. First, a best practice review consisting of an extensive analysis of existing terminology standards in museum communities and public web interfaces of large cultural organizations was performed. The second step of the methodology entailed a domain analysis; this involved extracting and comparing relevant concepts from terminological authoritative sources. The third step proceeded to term clustering and entity listing,which involved the breaking-up of the taxonomy domains into potential facets. An incremental user testing was also realized in order to validate and refine the taxonomy components (facets, values, and relationships). Findings - The project resulted in a bilingual and expandable vocabulary structure that will further be used to describe the Artefacts Canada database records. The new taxonomy simplifies the representation of complex content by grouping objects into similar facets to classify all records of the Artefacts Canada database. The user-friendly bilingual taxonomy provides worldwide visitors with the means to better access Canadian virtual museum collections. Originality/value - Few methodological tools are available for museums which wish to adopt a faceted approach in the development of their web sites. For practitioners, the methodology developed within this project is a direct contribution to support web site development of large cultural organizations.

Theme

Klassifikationssysteme im Online-Retrieval

0.014805648 = product of:
  0.03701412 = sum of:
    0.023397226 = weight(_text_:retrieval in 1951) [ClassicSimilarity], result of:
      0.023397226 = score(doc=1951,freq=2.0), product of:
        0.14001551 = queryWeight, product of:
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.04628742 = queryNorm
        0.16710453 = fieldWeight in 1951, product of:
          1.4142135 = tf(freq=2.0), with freq of:
            2.0 = termFreq=2.0
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.0390625 = fieldNorm(doc=1951)
    0.013616893 = product of:
      0.027233787 = sum of:
        0.027233787 = weight(_text_:web in 1951) [ClassicSimilarity], result of:
          0.027233787 = score(doc=1951,freq=2.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.18028519 = fieldWeight in 1951, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.0390625 = fieldNorm(doc=1951)
      0.5 = coord(1/2)
  0.4 = coord(2/5)

Abstract

Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.

0.010034091 = product of:
  0.05017045 = sum of:
    0.05017045 = product of:
      0.1003409 = sum of:
        0.1003409 = weight(_text_:22 in 820) [ClassicSimilarity], result of:
          0.1003409 = score(doc=820,freq=2.0), product of:
            0.16209066 = queryWeight, product of:
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.04628742 = queryNorm
            0.61904186 = fieldWeight in 820, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.125 = fieldNorm(doc=820)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Date

5. 3.1999 17:40:22

0.007525568 = product of:
  0.03762784 = sum of:
    0.03762784 = product of:
      0.07525568 = sum of:
        0.07525568 = weight(_text_:22 in 362) [ClassicSimilarity], result of:
          0.07525568 = score(doc=362,freq=2.0), product of:
            0.16209066 = queryWeight, product of:
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.04628742 = queryNorm
            0.46428138 = fieldWeight in 362, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.09375 = fieldNorm(doc=362)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Source

Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier

0.007487112 = product of:
  0.03743556 = sum of:
    0.03743556 = weight(_text_:retrieval in 4393) [ClassicSimilarity], result of:
      0.03743556 = score(doc=4393,freq=2.0), product of:
        0.14001551 = queryWeight, product of:
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.04628742 = queryNorm
        0.26736724 = fieldWeight in 4393, product of:
          1.4142135 = tf(freq=2.0), with freq of:
            2.0 = termFreq=2.0
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.0625 = fieldNorm(doc=4393)
  0.2 = coord(1/5)

Abstract

The head of electronic engineering at Florence's Universita degli Studi describes how the department has used digitized imaging and computer reconstructions to aid the restoration and preservation of works of art in museums such as the Uffizi. The dapertmant shares in the MAN (Metropolitan Area Network) Toscana Telecoms project, whose applications include remote access to libraries and museums; and it also takes part in the EU MUSA project, which developed the Vasari (Visual Arts Systems Archiving Retrieval Images) scanner, and in the RAMA (Remote Access to Museum Archives) scheme

0.0066177347 = product of:
  0.033088673 = sum of:
    0.033088673 = weight(_text_:retrieval in 4986) [ClassicSimilarity], result of:
      0.033088673 = score(doc=4986,freq=4.0), product of:
        0.14001551 = queryWeight, product of:
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.04628742 = queryNorm
        0.23632148 = fieldWeight in 4986, product of:
          2.0 = tf(freq=4.0), with freq of:
            4.0 = termFreq=4.0
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.0390625 = fieldNorm(doc=4986)
  0.2 = coord(1/5)

LCSH

Information storage and retrieval systems / Museums

Subject

Information storage and retrieval systems / Museums

0.0065361084 = product of:
  0.03268054 = sum of:
    0.03268054 = product of:
      0.06536108 = sum of:
        0.06536108 = weight(_text_:web in 4286) [ClassicSimilarity], result of:
          0.06536108 = score(doc=4286,freq=2.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.43268442 = fieldWeight in 4286, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.09375 = fieldNorm(doc=4286)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

0.0062713064 = product of:
  0.031356532 = sum of:
    0.031356532 = product of:
      0.062713064 = sum of:
        0.062713064 = weight(_text_:22 in 4152) [ClassicSimilarity], result of:
          0.062713064 = score(doc=4152,freq=2.0), product of:
            0.16209066 = queryWeight, product of:
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.04628742 = queryNorm
            0.38690117 = fieldWeight in 4152, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.078125 = fieldNorm(doc=4152)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Source

Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill

0.006162302 = product of:
  0.030811511 = sum of:
    0.030811511 = product of:
      0.061623022 = sum of:
        0.061623022 = weight(_text_:web in 3493) [ClassicSimilarity], result of:
          0.061623022 = score(doc=3493,freq=4.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.4079388 = fieldWeight in 3493, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.0625 = fieldNorm(doc=3493)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Abstract

Cataloguing artworks relies on the availability of classification schemes, often represented by hierarchical thesauri. Comments on the limitations of current practices and tools and proposes a new approach for the cooperative production of multilingual and multicultural classification schemes exploiting some features of the oncoming Extensible Markup Language based Web

0.0054467577 = product of:
  0.027233787 = sum of:
    0.027233787 = product of:
      0.054467574 = sum of:
        0.054467574 = weight(_text_:web in 4290) [ClassicSimilarity], result of:
          0.054467574 = score(doc=4290,freq=2.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.36057037 = fieldWeight in 4290, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.078125 = fieldNorm(doc=4290)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

0.0050170454 = product of:
  0.025085226 = sum of:
    0.025085226 = product of:
      0.05017045 = sum of:
        0.05017045 = weight(_text_:22 in 2237) [ClassicSimilarity], result of:
          0.05017045 = score(doc=2237,freq=2.0), product of:
            0.16209066 = queryWeight, product of:
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.04628742 = queryNorm
            0.30952093 = fieldWeight in 2237, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.5018296 = idf(docFreq=3622, maxDocs=44218)
              0.0625 = fieldNorm(doc=2237)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Date

1. 8.1996 22:01:00

0.004621727 = product of:
  0.023108633 = sum of:
    0.023108633 = product of:
      0.046217266 = sum of:
        0.046217266 = weight(_text_:web in 4288) [ClassicSimilarity], result of:
          0.046217266 = score(doc=4288,freq=4.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.3059541 = fieldWeight in 4288, product of:
              2.0 = tf(freq=4.0), with freq of:
                4.0 = termFreq=4.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.046875 = fieldNorm(doc=4288)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Abstract

Users interact with museum application interfaces for many reasons. There are various types of users, who want to perform various tasks, in various contexts, that can access the same Web site. Thus, it is important to have user interfaces able to adapt to these different user requirements to facilitate the accomplishment of the desired goals. Most current interfaces to museum information do not take into account this variety of types of users, thus providing interfaces that some users find confusing to achieve their goals. In this article we discuss the various possible levels of support that can be given to different users during navigation of museum information. In particular, we focus our attention on how to obtain adaptable and adaptive interfaces using the web site for the Marble Museum, which we have designed and developed, as a source of examples for our discussion of possible solutions

0.003743556 = product of:
  0.01871778 = sum of:
    0.01871778 = weight(_text_:retrieval in 2671) [ClassicSimilarity], result of:
      0.01871778 = score(doc=2671,freq=2.0), product of:
        0.14001551 = queryWeight, product of:
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.04628742 = queryNorm
        0.13368362 = fieldWeight in 2671, product of:
          1.4142135 = tf(freq=2.0), with freq of:
            2.0 = termFreq=2.0
          3.024915 = idf(docFreq=5836, maxDocs=44218)
          0.03125 = fieldNorm(doc=2671)
  0.2 = coord(1/5)

Abstract

The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.

0.0019063652 = product of:
  0.009531826 = sum of:
    0.009531826 = product of:
      0.019063652 = sum of:
        0.019063652 = weight(_text_:web in 3577) [ClassicSimilarity], result of:
          0.019063652 = score(doc=3577,freq=2.0), product of:
            0.15105948 = queryWeight, product of:
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.04628742 = queryNorm
            0.12619963 = fieldWeight in 3577, product of:
              1.4142135 = tf(freq=2.0), with freq of:
                2.0 = termFreq=2.0
              3.2635105 = idf(docFreq=4597, maxDocs=44218)
              0.02734375 = fieldNorm(doc=3577)
      0.5 = coord(1/2)
  0.2 = coord(1/5)

Abstract

Im Jahr 2007 hat die GWLB gemeinsam mit der HAAB, der Universitätsbibliothek Johann Christian Senckenberg und mehreren Stiftungen die Königliche Gartenbibliothek Herrenhausen erworben. Neben den textuellen Materialien enthält die Bibliothek auch viele nicht-textuelle Materialien wie Herbarien, Zeichnungen und auch Gouachen mit Abbildungen von Obstsorten aus der ehemaligen Obstbaumplantage. Diese Gouachen in Mappen liegend bei der GWLB aufbewahrt. Die einzelnen Blätter tragen keine Titel, sondern sind am unteren Rand mit Bleistift durchnummeriert. Ohne die beigefügte ebenfalls durchnummerierte Liste mit Sortennamen ist keine eindeutige Zuordnung und die Nutzung somit nur eingeschränkt möglich. Die Überlegung zu einer digitalen Präsentation liegt daher nahe, denn "der ungehinderte Zugang zu elektronischen wissenschaftlich relevanten Publikationen von jedem Ort aus und zu jeder Zeit spielt in der digitalen Informationsgesellschaft eine immer bedeutendere Rolle." Oder um es drastischer zu formulieren: "Was nicht im Web ist, ist nicht in der Welt". Bevor jedoch mit der Digitalisierung begonnen werden kann, müssen einige Fragen vorab geklärt werden. Im Folgenden werden Kriterien, die bei der Planung und Durchführung von Digitalisierungsprojekten zu beachten sind, behandelt.