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  • × theme_ss:"Objektdokumentation"
  1. Wunderlich, B.: ¬Die wissenschaftliche Erschließung von Bekleidung mit systematischen Ordnungssystemen im musealen Kontext : Wie bekommt man Hemd und Hose in die Datenbank? (2005) 0.02 
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    Date
    28.11.1999 13:32:29
    27. 9.2005 14:29:52
    Footnote
    Abschlussarbeit am Institut für Information und Dokumentation an der Fachhochschule Potsdam
    Imprint
    Potsdam : Institut für Information und Dokumentation
  2. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.01 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  3. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.01 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  4. Social History and Industrial Classification - SHIC : Sozialgeschichtliche und industrielle Klassifikation - Eine thematische Klassifikation für Museumssammlungen (1999) 0.01 
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    Abstract
    SHIC liefert eine breite interdisziplinäre Struktur für die Einteilung von Objekten, Photographien, Archivmaterial Tonbandaufnahmen. lnformationsdateien und aller weiterer Formen musealen Materials auf dem Gebiet der menschlichen Geschichte. Sie kann abstrakte Begriffe sowie Materialien von sehr allgemeiner Natur zusätzlich zu genauer definierten Stücken bewältigen. Die Klassifikation hat eine hierarchische Struktur mit Stufen, die vom Allgemeinen bis zum Spezifischen gehen. In der Regel sind die höheren Stufen begrifflich, während die niedrigeren Stufen direkter auf dem Gebiet begründet sind. Objekte Lind Ideen werden entsprechend der Aktivitätssphäre angeordnet, mit der sie Primär verbunden sind. Das Ziel der Klassifikation ist es. Objekte etc. auf ihre Funktion im Kontext rnit anderen Objekten zu beziehen. Der Hammer eines Zimmermannes könnte mit allen weiteren Schlagwerkzeugen, ohne Rücksicht auf die Gewerke and Industriezweige, in denen sie benutzt wurden, klassifiziert werden, aber dies ist nicht das Ziel von SHIC. 2. Der Aufbau von SHIC Es gibt vier primäre Rubriken (Abschnitte), die alle Aktivitäten des Menschen als eines gesellschaftlichen Wesens umfassen: Abschnitt 1: Gesellschaftliches Leben Abschnitt 2: Häusliches und Familiäres Leben Abschnitt 3: Persönliches Leben Abschnitt 4: Arbeitsleben Diese vier Abschnitte werden als von gleicher Bedeutsamkeit betrachtet, aller schließen sich nicht immer wechselseitig ans. Es müssen gelegentlich eigenmächtige Entscheidungen angewendet werden, um die Zuordnung des Materials zu bestimmen. Der Rest der Klassifikation ist als eine Hierarchie mit einer Dezimalstruktur angeordnet, die die Anwendung einer Zahlenkodierung erleichtert. Die nächsten vier Sturen unter den Abschnitten sind in absteigender Ordnung als Abteilung, Klasse Gruppe und Untergruppe bekannt. Jede Rubrik innerhalb dieser Stufen kann in zehn Untergruppen zwischen 0 und 9 unterteilt werden. Von diesen Untergruppen ist die erste (0) immer für allgemeines oder Material unbekannter Herkunft reserviert. und die letzte (9) wird gewöhnlich benutzt, um unbedeutende vermischte Kategorien zusammenzufassen, die nicht anderweitig in die anderen Rubriken eingefügt werden können. Sie können dann, wenn nötig, auf der nächst unteren Stufe getrennt werden.
  5. Küster-Heise, K.; Mitschke, S.: Terminologie in der Museumsarbeit unter besonderer Berücksichtigung des Aspekts der Textilterminologie (2009) 0.01 
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    Date
    10. 5.2009 17:29:18
    Source
    Information - Wissenschaft und Praxis. 60(2009) H.3, S.159-161
  6. Cataloging culutural objects : a guide to describing cultural works and their images (2003) 0.01 
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    Abstract
    It may be jumping the gun a bit to review this publication before it is actually published, but we are nothing if not current here at Current Cites, so we will do it anyway (so sue us!). This publication-in-process is a joint effort of the Visual Resources Association and the Digital Library Federation. It aims to "provide guidelines for selecting, ordering, and formatting data used to populate catalog records" relating to cultural works. Although this work is far from finished (Chapters 1, 2, 7, and 9 are available, as well as front and back matter), the authors are making it available so pratictioners can use it and respond with information about how it can be improved to better aid their work. A stated goal is to publish it in print at some point in the future. Besides garnering support from the organizations named above as well as the Getty, the Mellon Foundation and others, the effort is being guided by experienced professionals at the top of their field. Get the point? If you're involved with creating metadata relating to any type of cultural object and/or images of such, this will need to be either on your bookshelf, or bookmarked in your browser, or both
    Date
    2.12.2015 11:29:57
  7. Marty, P.F.: Museum informatics (2009) 0.00 
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    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
    Source
    Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
  8. Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995) 0.00 
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    Source
    Bibliotheksdienst. 29(1995) H.1, S.51-57
  9. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.00 
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    Date
    5. 3.1999 17:40:22
  10. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00 
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    Date
    29. 8.2004 19:05:56
    Source
    Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine
  11. Hübner, M.: Integrierte und vielschichtige Dokumentation von Kunstwerken (1991) 0.00 
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    Imprint
    Darmstadt : Fachhochschule, FB Information und Dokumentation
  12. Düro, M.; Schweibenz, W.: Metadaten für Museen (2002) 0.00 
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    Source
    Information - Wissenschaft und Praxis. 53(2002) H.6, S.339-346
  13. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.00 
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    Abstract
    Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
    LCSH
    Information storage and retrieval systems / Museums
    Subject
    Information storage and retrieval systems / Museums
  14. Wolters, C.: Fragen der Terminologie bei der EDV-gestützten Bestandserschließung im Museum (1991) 0.00 
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    Source
    Wissenschaftliche Information im europäischen Rahmen: 23. Arbeits- und Fortbildungstagung der ASpB / Sektion 5 im DBV, 13.-16.3.1991 in München
  15. Wolters, C.: Objektdokumentation im Museum (1990) 0.00 
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    Source
    Grundlagen der praktischen Information und Dokumentation: ein Handbuch zur Einführung in die fachliche Informationsarbeit. 3. Aufl. Hrsg.: M. Buder u.a. Bd.1
  16. When museum informatics meets the World Wide Web (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.1-49
  17. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
  18. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.00 
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
  19. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.00 
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
    Source
    Library and information research news. 15(1992) no.55, S.3-8
  20. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00 
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    Abstract
    In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
    Source
    Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914

Authors

Years

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  • e 19
  • d 16
  • f 2

Types

  • a 30
  • m 3
  • s 2
  • x 2
  • r 1
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