-
Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
-
Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
-
Orna, E.; Pettitt, C.: Information management in museums (1998)
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- Abstract
- Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
- LCSH
- Information storage and retrieval systems / Museums
- Subject
- Information storage and retrieval systems / Museums
-
Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Marty, P.F.: Museum informatics (2009)
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- Abstract
- Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
- Source
- Encyclopedia of library and information sciences. 3rd ed. Ed.: M.J. Bates
-
Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004)
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- Abstract
- The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
- Source
- Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine
-
Wunderlich, B.: ¬Die wissenschaftliche Erschließung von Bekleidung mit systematischen Ordnungssystemen im musealen Kontext : Wie bekommt man Hemd und Hose in die Datenbank? (2005)
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- Footnote
- Abschlussarbeit am Institut für Information und Dokumentation an der Fachhochschule Potsdam
- Imprint
- Potsdam : Institut für Information und Dokumentation
-
Hübner, M.: Integrierte und vielschichtige Dokumentation von Kunstwerken (1991)
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- Imprint
- Darmstadt : Fachhochschule, FB Information und Dokumentation
-
Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Date
- 1. 8.1996 22:01:00
-
Düro, M.; Schweibenz, W.: Metadaten für Museen (2002)
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- Source
- Information - Wissenschaft und Praxis. 53(2002) H.6, S.339-346
-
Wolters, C.: Fragen der Terminologie bei der EDV-gestützten Bestandserschließung im Museum (1991)
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- Source
- Wissenschaftliche Information im europäischen Rahmen: 23. Arbeits- und Fortbildungstagung der ASpB / Sektion 5 im DBV, 13.-16.3.1991 in München
-
Wolters, C.: Objektdokumentation im Museum (1990)
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- Source
- Grundlagen der praktischen Information und Dokumentation: ein Handbuch zur Einführung in die fachliche Informationsarbeit. 3. Aufl. Hrsg.: M. Buder u.a. Bd.1
-
When museum informatics meets the World Wide Web (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.1-49
-
Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
-
Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000)
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- Source
- Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
-
Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992)
0.00
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- Abstract
- Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
- Source
- Library and information research news. 15(1992) no.55, S.3-8
-
Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009)
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- Abstract
- In 1996, with funding from the Henry Luce Foundation, Jack Lenor Larsen and an advisory committee composed of distinguished museum and design professionals developed Objects Classified by Mediums in response to the concern that existing systems do not provide the tools for comparing information on objects. A common understanding and definitions of terms are crucial to the success of a classification project meant to cross institutional and national boundaries. Objects Classified by Mediums seeks to organize areas of study in fiber, clay, metal, wood, and so on, to allow curators and scholars to compare information on similar methods used, build a conceptual framework for the greater understanding of whole categories of objects rather than as isolated works, and provide a finding tool for cross-cultural and cross-disciplinary investigation.
- Footnote
- Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
- Source
- Journal of the American Society for Information Science and Technology. 60(2009) no.9, S.1907-1914
-
Cappelini, V.: ¬La telematica e i beni culturali (1995)
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- Abstract
- The head of electronic engineering at Florence's Universita degli Studi describes how the department has used digitized imaging and computer reconstructions to aid the restoration and preservation of works of art in museums such as the Uffizi. The dapertmant shares in the MAN (Metropolitan Area Network) Toscana Telecoms project, whose applications include remote access to libraries and museums; and it also takes part in the EU MUSA project, which developed the Vasari (Visual Arts Systems Archiving Retrieval Images) scanner, and in the RAMA (Remote Access to Museum Archives) scheme
-
Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993)
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- Abstract
- The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
-
Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998)
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- Abstract
- Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
