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  • × theme_ss:"Objektdokumentation"
  • × language_ss:"e"
  1. Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006) 0.02
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    BK
    06.00 / Information und Dokumentation: Allgemeines
    Classification
    06.00 / Information und Dokumentation: Allgemeines
    Footnote
    Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
  2. Wright, R.: PRESTO - Multimedia archive preservation (2002) 0.01
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    Source
    Zeitschrift für Bibliothekswesen und Bibliographie. 49(2002) H.2, S.69-73
  3. Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010) 0.00
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    Date
    29. 8.2010 12:31:55
    Footnote
    Beitrag in einem Special Issue: Content architecture: exploiting and managing diverse resources: proceedings of the first national conference of the United Kingdom chapter of the International Society for Knowedge Organization (ISKO)
    Theme
    Klassifikationssysteme im Online-Retrieval
  4. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00
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    Abstract
    The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
    Date
    29. 8.2004 19:05:56
    Source
    Knowledge organization and the global information society: Proceedings of the 8th International ISKO Conference 13-16 July 2004, London, UK. Ed.: I.C. McIlwaine
  5. Cataloging culutural objects : a guide to describing cultural works and their images (2003) 0.00
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    Abstract
    It may be jumping the gun a bit to review this publication before it is actually published, but we are nothing if not current here at Current Cites, so we will do it anyway (so sue us!). This publication-in-process is a joint effort of the Visual Resources Association and the Digital Library Federation. It aims to "provide guidelines for selecting, ordering, and formatting data used to populate catalog records" relating to cultural works. Although this work is far from finished (Chapters 1, 2, 7, and 9 are available, as well as front and back matter), the authors are making it available so pratictioners can use it and respond with information about how it can be improved to better aid their work. A stated goal is to publish it in print at some point in the future. Besides garnering support from the organizations named above as well as the Getty, the Mellon Foundation and others, the effort is being guided by experienced professionals at the top of their field. Get the point? If you're involved with creating metadata relating to any type of cultural object and/or images of such, this will need to be either on your bookshelf, or bookmarked in your browser, or both
    Date
    2.12.2015 11:29:57
  6. When museum informatics meets the World Wide Web (2000) 0.00
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.1-49
  7. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.00
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    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
  8. Saltzman, A.B.: Art slide sets : online access (1998) 0.00
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    Date
    10. 9.2000 17:54:29
  9. Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998) 0.00
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    Abstract
    The National Gallery of Canada Library and Archives functions as Canada's national art and supports research on a national and international basis. Given this important mandate and the research interest in art exhibitions, it was important to catalogue the exhibition-related material and to publicize National Gallery holdings. Describes the project of creating an online finding aid for exhibition records and other material related to more than 1900 exhibitions held between 1880 and the present at the National Gallery of Canada. Sets out the goals and many benefits of the project
  10. Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000) 0.00
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.33-38
  11. Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000) 0.00
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.39-48
  12. Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000) 0.00
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    Source
    Journal of the American Society for Information Science. 51(2000) no.1, S.24-32
  13. Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998) 0.00
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    Source
    Art documentation. 17(1998) no.1, S.15-18
  14. Michard, A.; Pham Dac, D.: Description of collections and encyclopedias on the Web using XML (1998) 0.00
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