-
Michel, S.: ¬Der Erfolg der Entfesselungskünstler : Gelungene Kooperation: "Vom Boten zum Bit" im Museum für Kommunikation (2003)
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- Date
- 12. 2.1996 22:34:46
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Benkowsky, J.; Bühring, B.; Georgy, U.; Linde, F.: Information pricing : the development of a product- and pricing concept for the research centre of the Public Library Cologne (2005)
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- Date
- 22. 7.2009 9:24:59
-
Hochschule im digitalen Zeitalter : Informationskompetenz neu begreifen - Prozesse anders steuern (2012)
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- Date
- 8.12.2012 17:22:26
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Huvila, I.: Situational appropriation of information (2015)
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- Date
- 20. 1.2015 18:30:22
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Freyberg, L.: ¬Die Lesbarkeit der Welt : Rezension zu 'The Concept of Information in Library and Information Science. A Field in Search of Its Boundaries: 8 Short Comments Concerning Information'. In: Cybernetics and Human Knowing. Vol. 22 (2015), 1, 57-80. Kurzartikel von Luciano Floridi, Søren Brier, Torkild Thellefsen, Martin Thellefsen, Bent Sørensen, Birger Hjørland, Brenda Dervin, Ken Herold, Per Hasle und Michael Buckland (2016)
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Yu, L.; Fan, Z.; Li, A.: ¬A hierarchical typology of scholarly information units : based on a deduction-verification study (2020)
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- Date
- 14. 1.2020 11:15:22
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Köppen, O.M.H.: ¬Das Grundrecht der Informationsfreiheit unter besonderer Berücksichtigung der neuen Medien (2004)
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- Footnote
- Rez. in: ZfBB 52(2005) H.5, S.288-289 (E.W. Steinhauer): "Im bibliothekarischen Selbstverständnis nimmt das Grundrecht der Informationsfreiheit einen wichtigen Platz ein. Wollen die Unterhaltsträger den freien Zugang zu den in der Bibliothek verfügbaren Informationen durch Gebühren und sonstige Beschränkungen reglementieren, dominiert das Grundrecht der Informationsfreiheit die bibliothekspolitische Diskussion. Das ist Grund genug, sich als Bibliothekar einmal vertieft mit der verfassungsrechtlichen Literatur zur Informationsfreiheit zu beschäftigen. Man kann viele Kommentare und Handbücher durcharbeiten. Oder man greift zu der Würzburger Dissertation von Oliver Köppen, in der alle wesentlichen Aspekte des Grundrechts der Informationsfreiheit vorgestellt werden. Einen besonderen Schwerpunkt bilden die »Neuen Medien«, vor allem das Internet. Einleitend informiert Köppen über das derzeitige Medienspektrum und steckt den inhaltlichen Rahmen seiner Arbeit ab. Köppen hat vor allem die Massenmedien im Blick. Bücher als Informationsquellen sucht man vergeblich, wenngleich das Wort »Bibliothek« auf S.236 immerhin Erwähnung findet. Zwar ist es richtig, dass in historischer Perspektive das Grundrecht der Informationsfreiheit ein »Massenmedienfreiheitsrecht« ist, gleichwohl sollte man das Buch als wichtigen nachhaltigen Informationsträger nicht außer Acht lassen: Auch Bücher sind Informationsquellen im Sinne der Verfassung. Nach der Einleitung werden Geschichte und Kontext der grundrechtlichen Informationsfreiheit besprochen. Anschließend grenzt Köppen das Grundrecht der Informationsfreiheit gegenüber anderen Grundrechten ab. Leider fehlt die Wissen-schaftsfreiheit. in den folgenden Kapiteln stellt Köppen das Grundrecht der Informationsfreiheit umfassend dar. Er folgt dabei dem allen Juristen wohlbekannten Aufbau der Grundrechtsprüfung, behandelt also den Schutzbereich, die Eingriffe in den Schutzbereich, die Schranken des Grundrechts und die »SchrankenSchranken«, also die Begrenzungen der durch die Grundrechtsschranken eröffneten Eingriffsmöglichkeiten. An dieser Stelle tut der Nicht-Jurist gut daran, sich die Terminologie und den Aufbau einer Grundrechtsprüfung in einem einschlägigen Lehrbuch kurz erläutern zu lassen. Köppens Arbeit schließt mit Ausführungen zu den so genannten objektiv-rechtlichen Komponenten der Informationsfreiheit. Dazu gehört vor allem die spannende Frage nach der Pflicht des Staates, den Zugang zu Informationsquellen herzustellen bzw. zu gewährleisten.
-
Ostermann, D.: US-Terrorfahnder verheddern sich im Daten-Dickicht (2004)
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- Date
- 5. 1.1997 9:39:22
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Weizenbaum, J.: Wir gegen die Gier (2008)
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- Date
- 16. 3.2008 12:22:08
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Burnett, R.: How images think (2004)
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- Footnote
- Rez. in: JASIST 56(2005) no.10, S.1126-1128 (P.K. Nayar): "How Images Think is an exercise both in philosophical meditation and critical theorizing about media, images, affects, and cognition. Burnett combines the insights of neuroscience with theories of cognition and the computer sciences. He argues that contemporary metaphors - biological or mechanical - about either cognition, images, or computer intelligence severely limit our understanding of the image. He suggests in his introduction that "image" refers to the "complex set of interactions that constitute everyday life in image-worlds" (p. xviii). For Burnett the fact that increasing amounts of intelligence are being programmed into technologies and devices that use images as their main form of interaction and communication-computers, for instance-suggests that images are interfaces, structuring interaction, people, and the environment they share. New technologies are not simply extensions of human abilities and needs-they literally enlarge cultural and social preconceptions of the relationship between body and mind. The flow of information today is part of a continuum, with exceptional events standing as punctuation marks. This flow connects a variety of sources, some of which are continuous - available 24 hours - or "live" and radically alters issues of memory and history. Television and the Internet, notes Burnett, are not simply a simulated world-they are the world, and the distinctions between "natural" and "non-natural" have disappeared. Increasingly, we immerse ourselves in the image, as if we are there. We rarely become conscious of the fact that we are watching images of events-for all perceptioe, cognitive, and interpretive purposes, the image is the event for us. The proximity and distance of viewer from/with the viewed has altered so significantly that the screen is us. However, this is not to suggest that we are simply passive consumers of images. As Burnett points out, painstakingly, issues of creativity are involved in the process of visualization-viewwes generate what they see in the images. This involves the historical moment of viewing-such as viewing images of the WTC bombings-and the act of re-imagining. As Burnett puts it, "the questions about what is pictured and what is real have to do with vantage points [of the viewer] and not necessarily what is in the image" (p. 26). In his second chapter Burnett moves an to a discussion of "imagescapes." Analyzing the analogue-digital programming of images, Burnett uses the concept of "reverie" to describe the viewing experience. The reverie is a "giving in" to the viewing experience, a "state" in which conscious ("I am sitting down an this sofa to watch TV") and unconscious (pleasure, pain, anxiety) processes interact. Meaning emerges in the not-always easy or "clean" process of hybridization. This "enhances" the thinking process beyond the boundaries of either image or subject. Hybridization is the space of intelligence, exchange, and communication.
-
Hjoerland, B.: ¬The controversy over the concept of information : a rejoinder to Professor Bates (2009)
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- Date
- 22. 3.2009 18:13:27
