Search (8 results, page 1 of 1)

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Classification

ST 325 Informatik / Monographien / Einzelne Anwendungen der Datenverarbeitung / Multimedia
ST 253 Informatik / Monographien / Software und -entwicklung / Web-Programmierwerkzeuge (A-Z)

Date

22. 3.2008 14:29:25

RVK

ST 325 Informatik / Monographien / Einzelne Anwendungen der Datenverarbeitung / Multimedia
ST 253 Informatik / Monographien / Software und -entwicklung / Web-Programmierwerkzeuge (A-Z)

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Abstract

Traditionell werden Thesauren in Listen dargestellt, doch die Existenz von Software legt nahe, die Möglichkeiten moderner Informationsvisualisierung auszuschöpfen.Wolfram Sieber evaluiert, ob und wie Software zur Thesaurus-Visualisierung über die reine Listendarstellung hinausgeht. Besonderes Augenmerk richtet er darauf, wie gut dabei die Chancen der Visualisierung - Stichworte prä-/attentive Wahrnehmung und Change Blindness - genutzt werden, bzw. wie gegen sie verstoßen und der Nutzer dadurch in seiner Arbeit behindert wird.Zugunsten einer soliden Entscheidungsgrundlage hat Sieber eine detaillierte Liste von Prüfkriterien zusammengestellt und sieben verschiedene Thesaurus-Visualisierer daran gemessen. Diese Liste kann als Grundlage für weitergehende Evaluierungen verwendet werden, bietet sich aber vor allem als Richtschnur bei der Entwicklung eigener Thesaurus- und Graph-Visualisierer an. Anwendern und interessierten Laien hilft sie, zur Auswahl stehende Graph-Visualisierer aus fachlicher Sicht, wissenschaftlich abgesichert zu beurteilen. Dieses Werk richtet sich an Entscheider, Entwickler und Anwender aus Informationswissenschaft und -praxis, Informatik, Dokumentation.

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Abstract

Bei der Frage nach der Ästhetik in der Ergonomie hat sich in den letzten Jahren ein Wandel vollzogen. Noch in den 1990er Jahren missachteten Ergonomen ästhetische Faktoren in der Gestaltung von Benutzungsschnittstellen weitgehend. Inzwischen hat sich allerdings das gegenseitige Interesse von Ergonomen und Designern verstärkt, so dass sich Herausgeber und Autor entschlossen, mit dem vorliegenden Band eine erweiterte und aktualisierte Ausgabe der vergriffenen ersten Auflage vorzustellen. Einige Teile der Erstauflage sind gestrafft, andere aktualisiert. Ferner wurden Teile hinzugefügt, die den aktuellen Stand der Thematik in Theorie und Praxis widerspiegeln. Der nun vorliegende Forschungsbericht enthält über 50 neue Textseiten, 39 neue Abbildungen und fast 90 neu eingearbeitete Referenzen. Weitere Informationen zum Inhalt von Buch und CD-ROM sowie eine tabellarische Gbersicht über die Veränderungen gegenüber der ersten Auflage finden sich im Internet unter www.gesis.org/Information/Forschungsuebersichten/Forschungsberichte/Visualisierung2.htm, Informationen zur (vergriffenen) ersten Auflage unter www.gesis.org/Information/Forschungsuebersichten/Forschungsberichte/Visualisierung.htm.

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Date

22. 1.2017 16:54:03
22. 1.2017 17:10:56

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Date

30. 1.2007 18:22:41

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Date

22. 3.2008 14:35:21

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Footnote

Rez. in: JASIST 56(2005) no.10, S.1126-1128 (P.K. Nayar): "How Images Think is an exercise both in philosophical meditation and critical theorizing about media, images, affects, and cognition. Burnett combines the insights of neuroscience with theories of cognition and the computer sciences. He argues that contemporary metaphors - biological or mechanical - about either cognition, images, or computer intelligence severely limit our understanding of the image. He suggests in his introduction that "image" refers to the "complex set of interactions that constitute everyday life in image-worlds" (p. xviii). For Burnett the fact that increasing amounts of intelligence are being programmed into technologies and devices that use images as their main form of interaction and communication-computers, for instance-suggests that images are interfaces, structuring interaction, people, and the environment they share. New technologies are not simply extensions of human abilities and needs-they literally enlarge cultural and social preconceptions of the relationship between body and mind. The flow of information today is part of a continuum, with exceptional events standing as punctuation marks. This flow connects a variety of sources, some of which are continuous - available 24 hours - or "live" and radically alters issues of memory and history. Television and the Internet, notes Burnett, are not simply a simulated world-they are the world, and the distinctions between "natural" and "non-natural" have disappeared. Increasingly, we immerse ourselves in the image, as if we are there. We rarely become conscious of the fact that we are watching images of events-for all perceptioe, cognitive, and interpretive purposes, the image is the event for us. The proximity and distance of viewer from/with the viewed has altered so significantly that the screen is us. However, this is not to suggest that we are simply passive consumers of images. As Burnett points out, painstakingly, issues of creativity are involved in the process of visualization-viewwes generate what they see in the images. This involves the historical moment of viewing-such as viewing images of the WTC bombings-and the act of re-imagining. As Burnett puts it, "the questions about what is pictured and what is real have to do with vantage points [of the viewer] and not necessarily what is in the image" (p. 26). In his second chapter Burnett moves an to a discussion of "imagescapes." Analyzing the analogue-digital programming of images, Burnett uses the concept of "reverie" to describe the viewing experience. The reverie is a "giving in" to the viewing experience, a "state" in which conscious ("I am sitting down an this sofa to watch TV") and unconscious (pleasure, pain, anxiety) processes interact. Meaning emerges in the not-always easy or "clean" process of hybridization. This "enhances" the thinking process beyond the boundaries of either image or subject. Hybridization is the space of intelligence, exchange, and communication.

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Date

23. 3.2008 19:10:22