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  • × theme_ss:"Rechtsfragen"
  1. Kaufmann, N.C.: Kommt das Domainsterben? : Rechtsprechung gibt beschreibende Internet-Adressen zum Abschuss frei (2000) 0.07
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    Source
    c't. 2000, H.1, S.70-72
    Type
    a
  2. Oppenheim, C.: ¬An agenda for action to achieve the information society in the UK (1996) 0.05
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    Abstract
    Discusses ways in which government can play a important role in shaping national policies for a nation's information infrastructure. Considers such factors as the development of national policies for: supporting the development of electronic information services; privacy and data protection; copyright; and public libraries and national libraries
    Source
    Journal of information science. 22(1996) no.6, S.407-421
    Type
    a
  3. Norman, S.: Copyright in the global information infrastructure (1995) 0.04
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    Abstract
    Reports on the World Intellectual Property (WIPO) Symposium on Copyright in the Global Information Infrastructure, Mexico City, 22-24 May 1995, convened to discuss the issues relating to copyright legislation and how it fits or needs to adapt to the operation of the information superhighway of the future with particular reference to the protection of intellectual property of the information superhigway
    Type
    a
  4. White, A.: Electronic copying of a cuttings library : a case of fari dealing? (1993) 0.04
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    Abstract
    Explains the legal aspects of copyright. Under English law, copying includes electronic copying of works. Takes the example of a company wishing to store its in house cuttings library of other people's news cuttings on disc. One option is to retain the newspapers. Another is to contact the publishers, which presents enormous difficulties. The Copyright Licensing Agency at present only deals with photocopying and has no mandate from newspaper publishers to include their works in such schemes
    Source
    Information world review. 1993, no.85, S.21-22
    Type
    a
  5. Intellectual property and the National Information Infrastructure : the report of the Working Group on Intellectual Property Rights (1995) 0.04
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    Abstract
    Presents a summary of a report published by the US Department of Commerce on the impact of the National Information Infrastructure (NII), the information superhgihway, on copyright laws in the USA. Explains the backgroud to the report, the aims of the NII, the role of the Information Infrastructure Task Force (IITF) set up by the Clinton administration, and the work of the Working Group on Intellectual Property Rights within the IITF. Presents the report's recommendations to the US Congress on changes to copyright laws, including clarification of the copyright owner's distribution right and amendment of library privileges to bring them into the digital age.
    Date
    22. 7.1996 19:53:48
    Type
    a
  6. Mathiesen, K.: Human rights as a topic and guide for LIS research and practice (2015) 0.04
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    Abstract
    In this global information age, accessing, disseminating, and controlling information is an increasingly important aspect of human life. Often, these interests are expressed in the language of human rights-for example, rights to expression, privacy, and intellectual property. As the discipline concerned with "facilitating the effective communication of desired information between human generator and human user" (Belkin, 1975, p. 22), library and information science (LIS) has a central role in facilitating communication about human rights and ensuring the respect for human rights in information services and systems. This paper surveys the literature at the intersection of LIS and human rights. To begin, an overview of human rights conventions and an introduction to human rights theory is provided. Then the intersections between LIS and human rights are considered. Three central areas of informational human rights-communication, privacy, and intellectual property-are discussed in detail. It is argued that communication rights in particular serve as a central linchpin in the system of human rights.
    Series
    Advances in information science
    Source
    Journal of the Association for Information Science and Technology. 66(2015) no.7, S.1305-1322
    Type
    a
  7. Rees, J.: Information access versus document supply : the international visual arts information network project (1994) 0.04
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    Abstract
    Image content opens up exciting possibilities for stand-alone media, distributed networks, online networks, and on-site publishing from information systems for use by the general public, for research, collection management, education and distance learning. These developments coincide and overlap with widespread new questioning and thinking as to the role of museums in relation to their diverse publics and also may have many parallels in the library world. They raise difficult questions about intellectual propriety rights - copyright protection, fair renumeration and complex questions concerning moral rights. Clearly international cooperation, working partnerships and consortia are going to gain further importance and significance
    Source
    Interlending and document supply. 22(1994) no.1, S.20-24
    Type
    a
  8. Poscher, R.: ¬Die Zukunft der informationellen Selbstbestimmung als Recht auf Abwehr von Grundrechtsgefährdungen (2012) 0.03
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    Date
    22. 2.2018 12:06:44
    22. 2.2018 12:13:53
    Type
    a
  9. Flanagan, M.: Database licensing : a future view (1993) 0.03
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    Source
    Computers in libraries. 13(1993) no.1, S.21-22
    Type
    a
  10. Sietmann, R.: Kopierschutz knacken - ganz legal : Ausnahmen im Urheberrecht für die Deutsche Bibliothek (2005) 0.02
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    Content
    "Durch die Vereinbarung mit Der Deutschen Bibliotheksehen wir unsere Verpflichtung zur Einräumung der Schrankenbegünstigungen als erfüllt an", erklärt IFPI-Sprecher Hartmut Spiesecke. Wem das Urheberrecht die lizenzfreie Nutzung von Werken einräumt, der könne sich nun an die DDB wenden. Einen Missbrauch befürchtet er nicht, weder durch die Mehrfachnutzung der Kopien in Lehrmittelsammlungen der Schulen noch durch die auf vergriffene Werke beschränkte Privatkopie-Regelung. Dem steht schon die Gebührenordnung der DDB entgegen, derzufolge der Interessent für die Kopie eines digitalen Tonträgers fünf Euro pro angefangener Viertelstunde Spielzeit berappen muss, zuzüglich Materialkosten und fünf Euro für den Tagesausweis. "Wer für eine Kopie 30 bis 70 Euro zahlen muss, überlegt sich schon ganz genau, wofür er sie anfordert", schätzt Spiesecke die Lage ein. Zudem sei es kein Problem, die CD beim Brennen mit einer persönlichen Kennung zu versehen. "Da braucht man nur die Nutzungsnummer zu nehmen, um die unkontrollierte Verbreitung nachvollziehbar zu machen." Archive brauchen Originale Praktische Regelungen, wie die Produzenten ihre Pflichtstücke abliefern, ob ungeschützt oder mit Lizenzschlüsseln, enthält die Vereinbarung nicht. Notfalls muss die DDB den Kopierschutz also knacken - aber immerhin darf sie es jetzt. "Am einfachsten wäre es natürlich, wenn wir die Pflichtstücke ohne Kopierschutz bekämen", erklärt DDB-Sprecher Stephan Jockel; "das hieße aber, dass die Werkproduzenten für uns eine gesonderte kopierschutzfreie Version herstellen müssten." Besonders bei Tonträgern gilt das als zu aufwendig. Für die Mitglieder des Börsenvereins ist die Vereinbarung ohnehin weniger problematisch, da die allermeisten Verlage geschützte CDROMs parallel zur Printausgabe vertreiben. "Da gibt es den Anspruch auf Umgehung des Kopierschutzes nicht, weil der Inhalt ja über die Printausgabe zugänglich ist", erläutert Börsenverein-Justiziar Christian Sprang. "Bei den paar DVDs und e-Books, die ausschließlich als kopiergeschütztes Produkt auf den Markt kommen, werden die Verlage wohl eine ungeschützte Version abliefern." Als Archivbibliothek hat die DDB aber auch ein eigenes Interesse an der originalen Version, wie sie in den Verkehr kommt. "Für uns bildet das Original in seiner gesamten Erscheinungsform einschließlich der bedruckten Seite des Datenträgers, dem Booklet oder Cover eine Einheit des Werkes", betont Jockel; "deshalb verfilmen wir ja unsere Bestände auch nicht einfach zu einem Mikrofilmarchiv." Beim Umkodieren geht die Einheit des Werkes zwar ebenfalls verloren, sie stellt aber auch nur eine Notlösung gegen verfallende Datenträger, veraltende Datenformate oder unverfügbare Wiedergabegeräte dar. "Sonst würden wir das komplette Werk verlieren und nur noch die äußere Erscheinungsform behalten", beschreibt Jockel das Dilemma. "In diesen Fällen müssen wir deshalb parallel sammeln: einmal das Werk, das wir als Pflichtabgabe bekommen haben, und daneben den Daten strom, den herauszukopieren uns die Vereinbarung erlaubt".
    Type
    a
  11. Crown, G.: Copyright and the Internet (1995) 0.02
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    Date
    22. 7.1996 20:05:20
    Type
    a
  12. Compier, H.; Campbell, R.: ADONIS gathers momentum and faces some new problems (1995) 0.02
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    Abstract
    Describes the change in the perception of the ADONIS project 14 years after its introduction. Outlines the original mission to use new technology to provide copies of copyright articles more effiently, and to take net efficiency gain as a usage of copyright fee. Details the present ADONIS service - its mission is the same although the manner of achieving it has changed - providing a history of the last 10 years; lists recent developments, planned developments and highlights the main problems of ADONIS to be pricing
    Source
    Interlending and document supply. 23(1995) no.3, S.22-25
    Type
    a
  13. Vereinbarung über Vervielfältigung kopiergeschützter Werke (2005) 0.02
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    Content
    ""Zur Sammlung und Archivierung von Musikaufnahmen insbesondere für wissenschaftliche und kulturelle Zwecke darf Die Deutsche Bibliothek künftig auch kopiergeschützte Produkte kopieren", erklärt Gerd Gebhardt, Vorsitzender der deutschen Phonoverbände. Gleiches gilt auch für Werke aus Buchverlagen: "Nicht nur Bücher, sondern auch durch Rechtemanagementsysteme geschützte CD-ROMs oder eBooks dürfen von Der Deutschen Bibliothek nun zur Weitergabe an Berechtigte vervielfältigt werden", erklärt Wulf D. von Lucius, Vorsitzender des Urheberrechtsausschusses des Börsenvereins des Deutschen Buchhandels. Musikwirtschaft und Buchbranche haben zu diesem Zweck eine Vereinbarung mit Der Deutschen Bibliothek getroffen. Hiermit sind die berechtigten Interessen Der Deutschen Bibliothek und einzelner Nutzer, aber auch die Interessen der Rechteinhaber und Verwerter gesichert. Der Verbreitung von Kopien wird zunehmend mit Kopierschutz- und Digital Rights Management Systemen begegnet. Von dem im Urheberrechtsgesetz festgesetzten Verbot der Umgehung solcher technischer Schutzmaßnahmen ist auch Die Deutsche Bibliothek in ihrem Sammel-, Bereitstellungs- und Archivierungsauftrag als Nationalbibliothek betroffen. Um eine Langzeitarchivierung der von der Nationalbibliothek zu sammelnden Veröffentlichungen gewährleisten zu können, müssen die Medien in regelmäßigen Abständen an die aktuellen Datenformate, Betriebssysteme und Datenträger angepasst werden. Das Urheberrechtsgesetz sieht so genannte Schrankenregelungen vor, nach denen der Zugang zu urheberrechtlich geschützten Werken zu bestimmten Zwecken, wie zum Beispiel für wissenschaftliche und kulturelle Nutzungen, zulässig ist. Die letzte Novelle des Gesetzes, deren einschlägige Regelungen im September 2004 in Kraft getreten sind, sieht hierfür ausdrücklich die Möglichkeit von Vereinbarungen zwischen Verbänden vor, um diese Nutzungen auch von kopiergeschützten Medien zu ermöglichen. Als erste Branchen haben nun die Musikwirtschaft und die Buchbranche diese Möglichkeit genutzt und mit Der Deutschen Bibliothek eine vertragliche Vereinbarung geschlossen. "Die jetzt geschlossene Vereinbarung erlaubt Der Deutschen Bibliothek eine rationelle Erfüllung ihres gesetzlichen Auftrages und schafft Klarheit für den Umgang mit geschützten Medien wie Tonträgern und CD-ROMs im Verhältnis zu den Nutzern der Einrichtungen. Damit wird Rechtssicherheit für die Arbeit Der Deutschen Bibliothek geschaffen.", erklärt Elisabeth Niggemann, Generaldirektorin Der Deutschen Bibliothek. Nach der geschlossenen Vereinbarung darf Die Deutsche Bibliothek Vervielfältigungen für die eigene Archivierung, für den wissenschaftlichen Gebrauch von Nutzern, für Sammlungen für den Schul- oder Unterrichtsgebrauch, für Unterricht und Forschung sowie von vergriffenen Werken anfertigen. Um Missbrauch zu vermeiden, wird Die Deutsche Bibliothek das Interesse von Nutzern zur Anfertigung einer solchen gebührenpflichtigen Vervielfältigung prüfen und die Kopien möglichst mit personalisierten digitalen Wasserzeichen versehen. Ansprechpartner. Stephan Jockel, Pressesprecher, Die Deutsche Bibliothek. Tel.: 069 / 15 25 10 05, Claudia Paul, Referentin Presse und Information, Börsenverein des Deutschen Buchhandels. Tel.: 069 / 1306 293, Dr. Hartmut Spiesecke, Leiter der Presse- und Öffentlichkeitsarbeit, Bundesverband der Phonographischen Wirtschaft. Tel.: 030 / 59 00 38 22"
    Type
    a
  14. Oppenheim, C.: ¬The implications of copyright legislation for electronic access to journal collections (1994) 0.02
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    Abstract
    The nature and implications of electrocopying are summarised. After a brief review of the principles of copyright, the issue of whether electrocopying infringes copyright is debated. Publishers are aware of the threat that electrocopying poses to their business. The various options available to publishers for responding to electrocopying are summarised. Patterns of scholarly communications and the relationships between authors, publishers and libraries are being challenged. Constructive dialogue is necessary if the issues are to be resolved
    Source
    Journal of document and text management. 2(1994) no.1, S.10-22
    Type
    a
  15. Seadle, M.: Copyright in a networked world : ethics and infringement (2004) 0.02
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    Source
    Library hi tech. 22(2004) no.1, S.106-110
    Type
    a
  16. White, A.: Copyright law, information services and the challenge of multimedia (1993) 0.02
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    Imprint
    Oxford : Learned Information
    Source
    Online information 93: 17th International Online Meeting Proceedings, London, 7.-9.12.1993. Ed. by D.I. Raitt et al
    Type
    a
  17. Schwartz, E.: Like a book on a wire (1993) 0.02
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    Abstract
    Discusses the publishing of books online on the Internet, in the USA. The issues is treated mainly in relation to trade publishers. Outlines various ways in which such publishers have so far used the Internet, for example in the publishing of the full text of works of fiction, for publishing catalogues, and for presenting authors to the public via bulletin boards or electronic conferences. Notes a number or problems which arise: copyright, payment for accessing items, advertising restrictions, and the ease with which the published unit can be tampered with when available on the Internet. Also discusses collaboration and conflicts between publishers and the technology industry
    Source
    Publishers weekly. 240(1993) no.47, 22 Nov., S.33-35,38
    Type
    a
  18. Haager, M.: ¬Die normative Kraft des Digitalisats : Google scannt massenweise Bücher und kümmert sich hinterher ums Urheberrecht (2009) 0.02
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    Date
    22. 7.2009 13:25:52
    Type
    a
  19. Kavcic-Colic, A.: Archiving the Web : some legal aspects (2003) 0.02
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    Date
    10.12.2005 11:22:13
    Type
    a
  20. Lyons, P.: ¬The role of copyright in a digital environment (1991) 0.02
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    Source
    Information services and use. 11(1991) no.3, S.111-116
    Type
    a

Authors

Years

Languages

  • d 137
  • e 106
  • f 2
  • dk 1
  • m 1
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Types

  • a 223
  • m 15
  • el 12
  • s 7
  • r 1
  • x 1
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