-
Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
-
Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
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Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Source
- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
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Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Date
- 1. 8.1996 22:01:00
-
Delouis, D.: Telecommunications in museums (1993)
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- Source
- Information services and use. 13(1993) no.4, S.335-146
-
Hesse, P.: Von Null auf Hundert : Anwendung einer Datenbank zur Objektverwaltung in den Reiss-Engelhorn-Museen Mannheim (2003)
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- Source
- 4. BSZ-Kolloquium am 17. und 18. September an der Universität Stuttgart. Vorträge
-
Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993)
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- Source
- Program. 27(1993) no.4, S.341-352
-
Kemmerling, A.: ¬Het MIRO-project : kennisachterstand in museale informatieverzorging structureel aangepakt (1994)
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- Abstract
- Because of the individual character of museums the use of online catalogues to describe objects in the collections in the Netherlands has lagged behind that of libraries. In 1993 the MIRO (Museale Informatieverzorgingen Registratie Opleidingen) project was inaugurated to identify probllem areas and devise solutions. The project identified 4 areas for which training is required for museum staff: description of objects, compilation of indexes, automation in museums, and the use of multimedia systems. Following the project's report the Dutch government has dedicated extra funds for museum automation
-
Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998)
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- Source
- Art libraries journal. 23(1998) no.2, S.4-7
-
Orna, E.; Pettitt, C.: Information management in museums (1998)
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- Footnote
- Rez. in: B.I.T.online 2(1999) H.4, S.511-512 (S. Schwarzenberger)
-
Maier, G.: Neue Zugänge zu Archivgut über das Internet : Das BSZ als Dienstleister für die Staatliche Archivverwaltung Baden-Württemberg (2003)
0.01
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- Source
- 4. BSZ-Kolloquium am 17. und 18. September an der Universität Stuttgart. Vorträge
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Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006)
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- Footnote
- Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
-
Social History and Industrial Classification - SHIC : Sozialgeschichtliche und industrielle Klassifikation - Eine thematische Klassifikation für Museumssammlungen (1999)
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- Abstract
- SHIC liefert eine breite interdisziplinäre Struktur für die Einteilung von Objekten, Photographien, Archivmaterial Tonbandaufnahmen. lnformationsdateien und aller weiterer Formen musealen Materials auf dem Gebiet der menschlichen Geschichte. Sie kann abstrakte Begriffe sowie Materialien von sehr allgemeiner Natur zusätzlich zu genauer definierten Stücken bewältigen. Die Klassifikation hat eine hierarchische Struktur mit Stufen, die vom Allgemeinen bis zum Spezifischen gehen. In der Regel sind die höheren Stufen begrifflich, während die niedrigeren Stufen direkter auf dem Gebiet begründet sind. Objekte Lind Ideen werden entsprechend der Aktivitätssphäre angeordnet, mit der sie Primär verbunden sind. Das Ziel der Klassifikation ist es. Objekte etc. auf ihre Funktion im Kontext rnit anderen Objekten zu beziehen. Der Hammer eines Zimmermannes könnte mit allen weiteren Schlagwerkzeugen, ohne Rücksicht auf die Gewerke and Industriezweige, in denen sie benutzt wurden, klassifiziert werden, aber dies ist nicht das Ziel von SHIC. 2. Der Aufbau von SHIC Es gibt vier primäre Rubriken (Abschnitte), die alle Aktivitäten des Menschen als eines gesellschaftlichen Wesens umfassen: Abschnitt 1: Gesellschaftliches Leben Abschnitt 2: Häusliches und Familiäres Leben Abschnitt 3: Persönliches Leben Abschnitt 4: Arbeitsleben Diese vier Abschnitte werden als von gleicher Bedeutsamkeit betrachtet, aller schließen sich nicht immer wechselseitig ans. Es müssen gelegentlich eigenmächtige Entscheidungen angewendet werden, um die Zuordnung des Materials zu bestimmen. Der Rest der Klassifikation ist als eine Hierarchie mit einer Dezimalstruktur angeordnet, die die Anwendung einer Zahlenkodierung erleichtert. Die nächsten vier Sturen unter den Abschnitten sind in absteigender Ordnung als Abteilung, Klasse Gruppe und Untergruppe bekannt. Jede Rubrik innerhalb dieser Stufen kann in zehn Untergruppen zwischen 0 und 9 unterteilt werden. Von diesen Untergruppen ist die erste (0) immer für allgemeines oder Material unbekannter Herkunft reserviert. und die letzte (9) wird gewöhnlich benutzt, um unbedeutende vermischte Kategorien zusammenzufassen, die nicht anderweitig in die anderen Rubriken eingefügt werden können. Sie können dann, wenn nötig, auf der nächst unteren Stufe getrennt werden.
-
Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010)
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- Source
- Aslib proceedings. 62(2010) nos.4/5, S.523-532
