Search (16 results, page 1 of 1)

  • × theme_ss:"Objektdokumentation"
  1. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.03 
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    Abstract
    This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives
  2. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.02 
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    Abstract
    Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
    COMPASS
    Museums / Management
    Subject
    Museums / Management
  3. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.02 
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    Date
    5. 3.1999 17:40:22
  4. Lanzi, E.: ¬The REACH and VIVION projects : improving access to art information (1998) 0.02 
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    Abstract
    Strategies for sharing, managing and accessing cultural heritage information centred around objects, images and related data are being tested currently through a variety of initiatives and resources. These fall into 3 categories: data sharing projects; image data banks; and rights management. Describes 2 data sharing projects, the Research Libraries Group' REACH and VISIION projects, focusing on core categories, standards and interoperability, metadata, and what might be accomplished through REACH and VISIION
  5. Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.02 
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    Theme
    Information Resources Management
  6. Blanc, O.; Calba, C.: ¬L'¬Etoffe numerique : La Banque d'Images textiles du Musée des Tissus de Lyon (1998) 0.02 
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    Abstract
    Describes a project launched in 1992 to computerize the collections of the Musée des Tissus in Lyon. Known as Système d'Organisation et d'Inventaire Étendu a la Récherche (SOIERIE), it is a tool for internal archiving and management and an image databank. Describes the background to the project, data and equipment, consultation, the users and the current situation
  7. Marty, P.F.: Museum informatics (2009) 0.02 
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    Abstract
    Museum informatics is the study of the sociotechnical interactions that take place at the intersection of people, information, and technology in museums. This entry presents an overview of museum informatics, covering such topics as information representation, information organization and access, information management, information technology, information interactions, and information professionals in museums. It explores the impact of information science and technology on museums, museum professionals, and museum visitors, and argues that museum researchers must take a sociotechnical approach to studying the use of information resources and technologies in museums.
  8. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.01 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  9. Koch, W.: Gedanken zur Museumsdokumentation (2002) 0.01 
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    Abstract
    Der Begriff Museumsdokumentation hat sich im Lauf der Jahre stark verändert wobei wohl die Betonung auf "Dokumentation"liegt. Orientierten sich erste Modelle an schriftlichen Aufzeichnungen zu Objekten mittels verschiedener Arten von Karteikarten, so kann heute die Dokumentation auch als Teil der Inhaltsgewinnung (content management) aufgefasst werden. Die wissenschaftliche Zuordnung derDokumentation wird grob skizziert, wobei auf detaillierte museologische Ansätze nicht eingegangen werden kann. Im Kapitel Objektbeschreibung wird auf die MetadatenProblematik eingegangen. Es geht um einen pragmatischen Ansatz zur Modellierung von Metadaten und Relationen. Ein Exkurs in das Gebiet des semantischen Netzes rundet dieses Kapitel ab. Dokumentation als Teil von Dokumentationsprozessen und Informationssystemen beschäftigt sich mit vorhandenen, in Museen selbst einzusetzenden Sammlungsverwaltungsprogrammen, es wird aber auch die Partnerschaf mit externen Dienstleistern angesprochen. NeueFormen der technischen Realisierung ermöglichen die Partnerschaf verschiedener Service-Anbieter, sodass die Abhängigkeit von einzelnen Technologie-Lieferanten gemildert wird. Im letzten Kapitel wird die Möglichkeit aufgezeigt, wie Museen am elektronischen Geschäftsverkehr teilnehmen können, wobei derZugang zu thematisch und personalisiert aufbereiteten Informationen über mobile Geräte mit dem Einsatz neuer Technologien an Bedeutung gewinnen wird.
  10. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.01 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  11. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.01 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
  12. Chenhall, R.; Blackaby, J.R.; Greeno, P.: ¬The revised nomenclature for museum cataloging : a revised and expanded version of Robert G. Chenhall's system for classifying man-made objects (1989) 0.01 
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  13. Straten, R. van: Iconography, indexing, ICONCLASS : a handbook (1994) 0.01 
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    Abstract
    Gives an introduction into the history, theory and practice of iconographic analysis and indexing, also into the application of the ICONCLASS system
  14. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.01 
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    Date
    1. 8.1996 22:01:00
  15. Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992) 0.01 
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    Abstract
    Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
  16. Im Dickicht der Fernseharchive : Ein neues Archivsystem unterstützt TV-Redakteure bei der zeitsparenden Zusammenstellung ihrer Beiträge (2003) 0.00 
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    Abstract
    Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.

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