Search (6 results, page 1 of 1)

  • × theme_ss:"Objektdokumentation"
  • × language_ss:"e"
  1. Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010) 0.03
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    Theme
    Klassifikationssysteme im Online-Retrieval
  2. Larsen, J.L.: ¬The LongHouse proposal for objects classified by mediums (2009) 0.01
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    Footnote
    Beitrag im Schwerpunktthema "Perspectives on design: information technologies and creative practices"
  3. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.00
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    LCSH
    Information storage and retrieval systems / Museums
    Subject
    Information storage and retrieval systems / Museums
  4. Campbell, C.; Webb, H.; Beglo, J.: Keeping it all together : National Gallery of Canada exhibition records and other exhibition-related material (1998) 0.00
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    Abstract
    The National Gallery of Canada Library and Archives functions as Canada's national art and supports research on a national and international basis. Given this important mandate and the research interest in art exhibitions, it was important to catalogue the exhibition-related material and to publicize National Gallery holdings. Describes the project of creating an online finding aid for exhibition records and other material related to more than 1900 exhibitions held between 1880 and the present at the National Gallery of Canada. Sets out the goals and many benefits of the project
  5. Saltzman, A.B.: Art slide sets : online access (1998) 0.00
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  6. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.00
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    Abstract
    The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.