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  • × author_ss:"Gangemi, A."
  • × year_i:[2020 TO 2030}
  1. Sartini, B.; Erp, M. van; Gangemi, A.: Marriage is a peach and a chalice : modelling cultural symbolism on the Semantic Web (2021) 0.02 
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    Abstract
    In this work, we fill the gap in the Semantic Web in the context of Cultural Symbolism. Building upon earlier work in \citesartini_towards_2021, we introduce the Simulation Ontology, an ontology that models the background knowledge of symbolic meanings, developed by combining the concepts taken from the authoritative theory of Simulacra and Simulations of Jean Baudrillard with symbolic structures and content taken from "Symbolism: a Comprehensive Dictionary'' by Steven Olderr. We re-engineered the symbolic knowledge already present in heterogeneous resources by converting it into our ontology schema to create HyperReal, the first knowledge graph completely dedicated to cultural symbolism. A first experiment run on the knowledge graph is presented to show the potential of quantitative research on symbolism.
    Theme
    Semantic Web
  2. Baroncini, S.; Sartini, B.; Erp, M. Van; Tomasi, F.; Gangemi, A.: Is dc:subject enough? : A landscape on iconography and iconology statements of knowledge graphs in the semantic web (2023) 0.01 
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    Abstract
    In the last few years, the size of Linked Open Data (LOD) describing artworks, in general or domain-specific Knowledge Graphs (KGs), is gradually increasing. This provides (art-)historians and Cultural Heritage professionals with a wealth of information to explore. Specifically, structured data about iconographical and iconological (icon) aspects, i.e. information about the subjects, concepts and meanings of artworks, are extremely valuable for the state-of-the-art of computational tools, e.g. content recognition through computer vision. Nevertheless, a data quality evaluation for art domains, fundamental for data reuse, is still missing. The purpose of this study is filling this gap with an overview of art-historical data quality in current KGs with a focus on the icon aspects. Design/methodology/approach This study's analyses are based on established KG evaluation methodologies, adapted to the domain by addressing requirements from art historians' theories. The authors first select several KGs according to Semantic Web principles. Then, the authors evaluate (1) their structures' suitability to describe icon information through quantitative and qualitative assessment and (2) their content, qualitatively assessed in terms of correctness and completeness. Findings This study's results reveal several issues on the current expression of icon information in KGs. The content evaluation shows that these domain-specific statements are generally correct but often not complete. The incompleteness is confirmed by the structure evaluation, which highlights the unsuitability of the KG schemas to describe icon information with the required granularity. Originality/value The main contribution of this work is an overview of the actual landscape of the icon information expressed in LOD. Therefore, it is valuable to cultural institutions by providing them a first domain-specific data quality evaluation. Since this study's results suggest that the selected domain information is underrepresented in Semantic Web datasets, the authors highlight the need for the creation and fostering of such information to provide a more thorough art-historical dimension to LOD.
    Theme
    Semantic Web

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