Search (51 results, page 1 of 3)

  • × theme_ss:"Objektdokumentation"
  1. Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993) 0.07 
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    Source
    Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
  2. Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998) 0.05 
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    Source
    Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
  3. Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992) 0.03 
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  4. Wolters, C.: Object databases and thesauri for small museums (1991) 0.02 
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    Abstract
    Twenty years of experience with computers in museums has led from the original 'purely scientific' objectives to a more down-to-earth approach aimed at rationalizing repetitive procedures. Dealing with fragmentary or unclean data is of primary concern. In the 'small museums' project useful techniques from the field of thesaurus applications are customized in daily practice for this purpose
    Source
    Classification, data analysis, and knowledge organization: models and methods with applications. Proc. of the 14th annual conf. of the Gesellschaft für Klassifikation, Univ. of Marburg, 12.-14.3.1990. Ed.: H.-H. Bock u. P. Ihm
  5. Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993) 0.02 
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    Abstract
    Die zukünftige Informationsverarbeitung integriert Personal Computer und die 'low cost' Workstationen in die moderne Rechnerwelt und übernimmt dabei universelle Aufgaben der Bürokommunikation - vom intelligenten Telefon über den Einsatz als Fax-Gerät, zur Abfrage externer Datenbanken und als Arbeitsplatzrechner in vielfältigen Anwendungen. Dabei werden alle Information in digitaler Form gespeichert und bearbeitet. Elektronische Archivierung und Vorgangsbearbeitung nehmen dabei eine Schlüsselstellung innerhalb der modernen Informationsverarbeitung ein und ermöglichen erhebliche Qualitäts-, Zeit- und Wettbewerbsgewinne. Das Angebotsspektrum ist vielfältiger und preislich günstiger geworden. Die elektronische Vorgangsbearbeitung und der Einsatz digitaler optischer Speicher ('optical filing' in Verbindung mit 'image processing'), wird damit auch für kleinere Unternehmen interessant. Die Spannweiter reicht heute von großen individuellen und unternehmensweiten Lösungen bis hin zum komfortablen Einzelplatzsystem. Die optische Speichertechnologie stellt dabei die Basis für die Behandlung und Verarbeitung großer Daten- und Informationsmengen dar
  6. Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998) 0.01 
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    Abstract
    Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
    Date
    1. 8.1996 22:01:00
  7. Cappelini, V.: ¬La telematica e i beni culturali (1995) 0.01 
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    Abstract
    The head of electronic engineering at Florence's Universita degli Studi describes how the department has used digitized imaging and computer reconstructions to aid the restoration and preservation of works of art in museums such as the Uffizi. The dapertmant shares in the MAN (Metropolitan Area Network) Toscana Telecoms project, whose applications include remote access to libraries and museums; and it also takes part in the EU MUSA project, which developed the Vasari (Visual Arts Systems Archiving Retrieval Images) scanner, and in the RAMA (Remote Access to Museum Archives) scheme
  8. Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997) 0.01 
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    Date
    5. 3.1999 17:40:22
  9. Orna, E.; Pettitt, C.: Information management in museums (1998) 0.01 
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    Abstract
    Museums are under pressure to deliver effective management and presentation of their collections, outreach to their public, cost effective use of all of their resources and the generation of maximum income. This book addresses such topics as what information means in the museum context, who uses it and what they need to do with it, developing a strategy for using information to benefit the museum, making the best use of the knowledge and skills of the museum staff, and acquiring the right mix of technology and managing it to support co-operation between people. Basic principles and practical advice is presented for integrated management of a whole range of information which museums need for productive use of human resources and for choosing and using technology effectively. The needs of small museums are given special attention and case studies show how a range of institutions have responded to the challenge.
    Footnote
    Rez. in: B.I.T.online 2(1999) H.4, S.511-512 (S. Schwarzenberger)
    LCSH
    Information storage and retrieval systems / Museums
    Subject
    Information storage and retrieval systems / Museums
  10. Im Dickicht der Fernseharchive : Ein neues Archivsystem unterstützt TV-Redakteure bei der zeitsparenden Zusammenstellung ihrer Beiträge (2003) 0.01 
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    Abstract
    Der Bestand eines Fernseharchivs gleicht auf dem ersten Blick einem Irrgarten. Täglich werden große Mengen an audiovisuellen Informationen über den Äther geschickt und gleichzeitig für eine eventuelle Wiederverwendung digital gespeichert. Die Herausforderung für jeden Archivar besteht darin, aus Millionen von Sendeminuten auf Anfrage möglichst schnell das passende Material zusammenzustellen. Mit diesem Problem befasste sich das EU-Projekt Primavera (Personalized Retrieval und Indexing of Media Assets in Virtual Environments for Real-Time Access). Die darin entwickelte Software testet der Österreichische Rundfunk in Wien seit einem Jahr. Sie wurde vom Fraunhofer-Institut für Integrierte Publikations- und Informationssysteme (IPSI) in Darmstadt, der tecmath AG in Kaiserslautern und dem Instituto Trentino Di Cultura (ITC) in Trient gemeinsam entworfen. Neuer Suchansatz Suchte ein Redakteur bisher in archivierten Sendungen, bestellte er schließlich mehrere, vermutlich passende Mitschnitte. Viele davon erweisen sich jedoch schnell als nutzlos. Nun kann man bereits am Bildschirm anhand von Schlüsselbildern - den Keyframes genannten Standbildern markanter Szenen - eine Vorauswahl treffen. Einzelne Zugriffe auf das System erfolgen über einen Web-Browser, wobei Suchergebnisse grafisch aufberei tet werden. Damit eine Suche erfolgreich ist, müssen die Archivbestände exakt klassifiziert sein. Mit einem Werkzeug namens Piclasso beschleunigt das Programm die Verschlagwortung von bereits vorhandenen Filmen, indem es deren Klassifizierung sozusagen lernt und auf neu hinzukommendes Material automatisch anwendet. Der Archivar hat dabei aber jederzeit die Wahl, ob er einen Vorschlag übernimmt oder nicht. Zudem kann der Nutzer nicht nurtext-, sondern auch bildbezogen suchen.
  11. Smiraglia, R.P.: Knowledge sharing and content genealogy : extensing the "works" model as a metaphor for non-documentary artefacts with case studies of Etruscan artefacts (2004) 0.01 
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    Abstract
    The harmonization and extension of a taxonomy of works from the documentary to the artefactual domain represents an attempt to further knowledge sharing across cultural boundaries. The uses and users of works, both documentary and artefactual, are global-the need for this advance in the organization of knowledge is therefore also global. Works are the formal records of knowledge, the essential records of human accomplishment. Works are a global phenomenon despite potential cultural variations in their creation and instantiation, and the need to organize works for retrieval is likewise a global phenomenon. Artefacts (sculptures, paintings, realia, documents, books, scores, recordings, etc.) are the physical media collected by repositories of culture (libraries, archives, museums, etc.), and are the means by which works are communicated. Works mutate and derive across time and culture in response to their entrance into a canon of cultural meaning. In the present paper, we review the characteristics of documentary works. Then we extend the metaphor from the documentary environment to the artefactual environment. To carry the metaphor from the documentary domain to the artefactual domain we alter the terms of the definition slightly, thus: 1) instantiation is understood as content genealogy. an epistemological architecture of content-genealogy is presented, demonstrating the potential for mutation and derivation of the representations of artefacts. Case studies of Etruscan artefacts from the University of Pennsylvania Museum of Archaeology and Anthropology are used to demonstrate the inherence of the work in nondocumentary artefacts. An outline of a meta-theory of "works" is presented that harmonizes the documentary and artefactual domains.
    Series
    Advances in knowledge organization; vol.9
  12. Ménard, E.; Mas, S.; Alberts, I.: Faceted classification for museum artefacts : a methodology to support web site development of large cultural organizations (2010) 0.01 
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    Abstract
    Purpose - This research project aims to provide a new visual representation of the Artefacts Canada digital collection, as well as a means for users to browse this content. Artefacts Canada Humanities is a database containing approximately 3.5 million records describing the different collections of Canadian museums. Design/methodology/approach - A four-step methodology was adopted for the development of the faceted taxonomy model. First, a best practice review consisting of an extensive analysis of existing terminology standards in museum communities and public web interfaces of large cultural organizations was performed. The second step of the methodology entailed a domain analysis; this involved extracting and comparing relevant concepts from terminological authoritative sources. The third step proceeded to term clustering and entity listing,which involved the breaking-up of the taxonomy domains into potential facets. An incremental user testing was also realized in order to validate and refine the taxonomy components (facets, values, and relationships). Findings - The project resulted in a bilingual and expandable vocabulary structure that will further be used to describe the Artefacts Canada database records. The new taxonomy simplifies the representation of complex content by grouping objects into similar facets to classify all records of the Artefacts Canada database. The user-friendly bilingual taxonomy provides worldwide visitors with the means to better access Canadian virtual museum collections. Originality/value - Few methodological tools are available for museums which wish to adopt a faceted approach in the development of their web sites. For practitioners, the methodology developed within this project is a direct contribution to support web site development of large cultural organizations.
    Footnote
    Beitrag in einem Special Issue: Content architecture: exploiting and managing diverse resources: proceedings of the first national conference of the United Kingdom chapter of the International Society for Knowedge Organization (ISKO)
    Theme
    Klassifikationssysteme im Online-Retrieval
  13. Kemmerling, A.: ¬Het MIRO-project : kennisachterstand in museale informatieverzorging structureel aangepakt (1994) 0.00 
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    Abstract
    Because of the individual character of museums the use of online catalogues to describe objects in the collections in the Netherlands has lagged behind that of libraries. In 1993 the MIRO (Museale Informatieverzorgingen Registratie Opleidingen) project was inaugurated to identify probllem areas and devise solutions. The project identified 4 areas for which training is required for museum staff: description of objects, compilation of indexes, automation in museums, and the use of multimedia systems. Following the project's report the Dutch government has dedicated extra funds for museum automation
  14. Küster-Heise, K.; Mitschke, S.: Terminologie in der Museumsarbeit unter besonderer Berücksichtigung des Aspekts der Textilterminologie (2009) 0.00 
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    Abstract
    Die wissenschaftliche Erschließung der Sammlungsbestände stellt neben dem Sammeln, Bewahren und Ausstellen eine Kernkompetenz musealer Arbeit dar und ist daher auch Teil der gemeinsam festgelegten Richtlinien des Internationalen Museumsverbandes "Standards für Museen". Seit einigen Jahren wird entsprechend auch in diesem Bereich eine Diskussion zu Fachterminologien geführt, weil die Inventare für eine schnellere Erschließung auch EDV-gestützt erfasst werden. Hierbei wird es als allgemein wünschenswert erachtet, sich auf einheitliche Thesauri im deutschsprachigen Raum, vor allem in den Bereichen Objektbezeichnung, Material und Technik zu verständigen. Erste Ansätze sind sowohl in der Fachgruppe Dokumentation des Deutschen Museumsbundes in Berlin als auch von den Arbeitsgruppen des MusIs-Projektes beim Bibliotheksservice-Zentrum Baden-Württemberg (BSZ) in Konstanz gemacht worden. Basierend auf Erfahrungen bei der Konzeption und dem Aufbau von Thesauri in diesen Bereichen, die Eingang fanden in den Objektbezeichnungsthesaurus des BSZ sollen hier einige Aspekte und Überlegungen vorgestellt werden.
  15. Ahlswede, K.: Überlegungen zur Erschließung von Illustrationen in Büchern : Ein Vergleich von ausgewählten Regelwerken des Bibliothekswesens und der kunsthistorischen Objektdokumentation (1997) 0.00 
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    Abstract
    Formen und Funktionen der Buchillustration sowie die Bedeutung von Bildern in Büchern für Bibliotheken werden am Beispiel des VD17 erläutert, die RAK hinsichtlich der Buchillustration untersucht. Das wissenschaftliche Inventarisieren von Bildern in Museen wird anhand von MIDAS dargestellt und das Regelwerk hinsichtlich der Erschließung von Buchillustrationen untersucht. Es werden Vorschläge entwickelt für die Verbesserung des Nachweises von Bildern in Büchern
  16. Delouis, D.: Telecommunications in museums (1993) 0.00 
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    Abstract
    Describes the Remote Access to Museum Archive project, a CEC funded project which aims to promote access to museums documentary databases in museums via telecommunications. Describes existing museum databases which are remotely accessible. The RAMA project aims to interconnect the image documentary databases of seven European museums. Describes its progress, and prospects for creation of an electronic museum
  17. Donnellier, C.: Micromusee : la base images des collections specialisees de l'ENSBA (1998) 0.00 
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    Abstract
    The National School of Fine Arts houses collections of prints, manuscripts, photographs, drawings, paintings, sculpture, architectural designs and printed texts: in all some 200.000 works. The computerised joint catalogue project begun in 1992 already comprises 42.000 records and 4.000 images captured from the original indexes and catalogues. The software used, Micromusee, was developed specifically for special collections: MARC compatible, it offers both controlled and natural language searching, and is very simple to use
    Content
    Presentation given at the French Libraries Association 5th national arts libraries meeting, held in Paris in Sept. 1997
  18. Baker, C.: ¬A marriage of high-tech and fine art : the National Gallery's micro gallery project (1993) 0.00 
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    Abstract
    The Micro Gallery is a computerised, interactive, public access information system located in the Sainsbury Wing of the National Gallery in London. It provides detailed information about the Gallery's collection of paintings in an accessible form, using digitised colour images and touch screen technology. Discusses the evolution of the system, its reception and the projects it has spawned
  19. Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993) 0.00 
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    Abstract
    A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
  20. Dworman, G.O.; Kimbrough, S.O.; Patch, C.: On pattern-directed search of arcives and collections (2000) 0.00 
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    Abstract
    This article begins by presenting and discussing the distinction between record-oriented and pattern-oriented search. Examples or recordoriented (or item-oriented) questions include: "What (or how many, etc.) glass items made prior to 100 A.D. do we have in our collection?" and "How many paintings featuring dogs do we have that were painted during the 19th century, and who painted them?" Standard database systems are well suited to answering such questions, based on the data in, for example, a collections management system. Examples of pattern-oriented questions include: "How does the (apparent) productoin of glass objects vary over time between 400 B.C. and 100 A.D.?" and "What other animals are present in paintings with dogs (painted during the 19th century and in our collection)?" Standard database systems are not well suited to answering these sorts of questions, even though the basic data is properly stored in them. To answer pattern-oriented questions it is the accepted solution to transform the underlying (relational) data to what is called the data cube or cross tabulation form. We discuss how this can be done for non-numeric data, such as are found in museum collections and archives

Authors

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