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Schwarz, V.: Urheberrecht in den Online-Medien (1997)
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Widmann, V.: ¬Die Sache mit der Menschenwürde und dem Wert des Lebens (2020)
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Poscher, R.: ¬Die Zukunft der informationellen Selbstbestimmung als Recht auf Abwehr von Grundrechtsgefährdungen (2012)
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- Date
- 22. 2.2018 12:06:44
22. 2.2018 12:13:53
-
Rosenberg, V.: Is copyright an effective stop sign on the information highway? (1994)
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Gross, V.: Aspekte geistigen Eigentums in der Wissensgesellschaft (2010)
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-
Flanagan, M.: Database licensing : a future view (1993)
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- Source
- Computers in libraries. 13(1993) no.1, S.21-22
-
Crown, G.: Copyright and the Internet (1995)
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- Date
- 22. 7.1996 20:05:20
-
Dreier, T.: Urheberrecht und digitale Werkverwertung : Die aktuelle Lage des Urheberrechts im Zeitalter von Internet und Multimedia (1997)
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- Date
- 1. 7.1997 21:02:22
-
Warner, J.: So mechanical or routine : the not original in Feist (2010)
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- Abstract
- The United States Supreme Court case of 1991, Feist Publications, Inc. v. Rural Tel. Service Co., continues to be highly significant for property in data and databases, but remains poorly understood. The approach taken in this article contrasts with previous studies. It focuses upon the not original rather than the original. The delineation of the absence of a modicum of creativity in selection, coordination, and arrangement of data as a component of the not original forms a pivotal point in the Supreme Court decision. The author also aims at elucidation rather than critique, using close textual exegesis of the Supreme Court decision. The results of the exegesis are translated into a more formal logical form to enhance clarity and rigor. The insufficiently creative is initially characterized as so mechanical or routine. Mechanical and routine are understood in their ordinary discourse senses, as a conjunction or as connected by AND, and as the central clause. Subsequent clauses amplify the senses of mechanical and routine without disturbing their conjunction. The delineation of the absence of a modicum of creativity can be correlated with classic conceptions of computability. The insufficiently creative can then be understood as a routine selection, coordination, or arrangement produced by an automatic mechanical procedure or algorithm. An understanding of a modicum of creativity and of copyright law is also indicated. The value of the exegesis and interpretation is identified as its final simplicity, clarity, comprehensiveness, and potential practical utility.
-
Warner, J.: Creativity for Feist (2013)
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- Abstract
- This paper develops an understanding of creativity to meet the requirements of the decision of the Supreme Court of the United States in Feist v. Rural (1991). The inclusion of creativity in originality, in a minimal degree of creativity, and in a creative spark below the level required for originality, is first established. Conditions for creativity are simultaneously derived. Clauses negatively implying creativity are then identified and considered. The clauses that imply creativity can be extensively correlated with conceptions of computability. The negative of creativity is then understood as an automatic mechanical or computational procedure or a so routine process that results in a highly routine product. Conversely, creativity invariantly involves a not mechanical procedure. The not mechanical is then populated by meaning, in accord with accepted distinctions, drawing on a range of discourses. Meaning is understood as a different level of analysis to the syntactic or mechanical and also as involving direct human engagement with meaning. As direct engagement with meaning, it can be connected to classic concepts of creativity, through the association of dissimilars. Creativity is finally understood as not mechanical human activity above a certain level of routinicity. Creativity is then integrated with a minimal degree of creativity and with originality. The level of creativity required for a minimal degree is identified as intellectual. The combination of an intellectual level with a sufficient amount of creativity can be read from the exchange values connected with the product of creative activity. Humanly created bibliographic records and indexes are then possible correlates to, or constituents of, a minimal degree of creativity. A four-stage discriminatory process for determining originality is then specified. Finally, the strength and value of the argument are considered.
-
White, A.: Electronic copying of a cuttings library : a case of fari dealing? (1993)
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- Source
- Information world review. 1993, no.85, S.21-22
-
Oppenheim, C.: ¬The implications of copyright legislation for electronic access to journal collections (1994)
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- Source
- Journal of document and text management. 2(1994) no.1, S.10-22
-
Compier, H.; Campbell, R.: ADONIS gathers momentum and faces some new problems (1995)
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- Source
- Interlending and document supply. 23(1995) no.3, S.22-25
-
Norman, S.: Copyright in the global information infrastructure (1995)
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- Abstract
- Reports on the World Intellectual Property (WIPO) Symposium on Copyright in the Global Information Infrastructure, Mexico City, 22-24 May 1995, convened to discuss the issues relating to copyright legislation and how it fits or needs to adapt to the operation of the information superhighway of the future with particular reference to the protection of intellectual property of the information superhigway
-
Oppenheim, C.: ¬An agenda for action to achieve the information society in the UK (1996)
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- Source
- Journal of information science. 22(1996) no.6, S.407-421
-
Seadle, M.: Copyright in a networked world : ethics and infringement (2004)
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- Source
- Library hi tech. 22(2004) no.1, S.106-110
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Haager, M.: ¬Die normative Kraft des Digitalisats : Google scannt massenweise Bücher und kümmert sich hinterher ums Urheberrecht (2009)
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- Date
- 22. 7.2009 13:25:52
-
Intellectual property and the National Information Infrastructure : the report of the Working Group on Intellectual Property Rights (1995)
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- Date
- 22. 7.1996 19:53:48
-
Schwartz, E.: Like a book on a wire (1993)
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- Source
- Publishers weekly. 240(1993) no.47, 22 Nov., S.33-35,38
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Rees, J.: Information access versus document supply : the international visual arts information network project (1994)
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- Source
- Interlending and document supply. 22(1994) no.1, S.20-24
