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Gödert, W.; Lepsky, K.: Informationelle Kompetenz : ein humanistischer Entwurf (2019) 0.24

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Footnote: Rez. in: Philosophisch-ethische Rezensionen vom 09.11.2019 (Jürgen Czogalla), Unter: https://philosophisch-ethische-rezensionen.de/rezension/Goedert1.html. In: B.I.T. online 23(2020) H.3, S.345-347 (W. Sühl-Strohmenger) [Unter: https%3A%2F%2Fwww.b-i-t-online.de%2Fheft%2F2020-03-rezensionen.pdf&usg=AOvVaw0iY3f_zNcvEjeZ6inHVnOK]. In: Open Password Nr. 805 vom 14.08.2020 (H.-C. Hobohm) [Unter: https://www.password-online.de/?mailpoet_router&endpoint=view_in_browser&action=view&data=WzE0MywiOGI3NjZkZmNkZjQ1IiwwLDAsMTMxLDFd].

Mainzer, K.: Information : Algorithmus, Wahrscheinlichkeit, Komplexität, Quantenwelt, Leben, Gehirn, Gesellschaft (2016) 0.08

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BK: 02.99 Wissenschaft und Kultur allgemein: Sonstiges
Classification: 02.99 Wissenschaft und Kultur allgemein: Sonstiges

Semiotische Weltmodelle : Mediendiskurse in den Kulturwissenschaften ; Festschrift für Eckhard Höfner zum 65. Geburtstag (2010) 0.07

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Abstract: Wissenschaftliche Tätigkeit als "Ausdruck einer lebendigen (Wissenschafts-) Kultur" zu verstehen ist das Motto im Werk Eckhard Höfners. Als "aufgeklärter Geist" hat er das Zusammenwirken von Disziplinen nicht nur gedacht, sondern beispielhaft gelebt. Die Gegnerschaft zum Wissenschafts-Schisma (hermeneutische Geisteswissenschaften einerseits und Naturwissenschaften anderseits) führt zum Dialog und Zusammenwirken. Dass dies nicht zuletzt von praktischer Relevanz in Kultur und Gesellschaft ist, zeigen die Beiträge der Festschrift, die Wissenschaftler verschiedener Fächer und Länder vereinigt.
BK: 18.00 / Einzelne Sprachen und Literaturen allgemein
Classification: 18.00 / Einzelne Sprachen und Literaturen allgemein

Schmidt, J.C.: ¬Das Andere der Natur : neue Wege zur Naturphilosophie (2015) 0.06

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Date: 28. 9.2016 18:22:22
Field: Naturwissenschaften

Representation in scientific practice revisited (2014) 0.04
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BK

30.02 Philosophie und Theorie der Naturwissenschaften
30.03 Methoden und Techniken in den Naturwissenschaften

Classification

30.02 Philosophie und Theorie der Naturwissenschaften
30.03 Methoden und Techniken in den Naturwissenschaften

Field

Naturwissenschaften

RSWK

Naturwissenschaften / Visualisierung
Naturwissenschaften / Visualisierung / Wissenschaftsforschung / Wissensrepräsentation / Aufsatzsammlung / Bildliche Darstellung / Methodologie (BVB)

Subject

Naturwissenschaften / Visualisierung
Naturwissenschaften / Visualisierung / Wissenschaftsforschung / Wissensrepräsentation / Aufsatzsammlung / Bildliche Darstellung / Methodologie (BVB)
D'Avis, W.: Geisteswissenschaftliche Grundlagen der Naturwissenschaften : eine Kritik des Szientismus (2019) 0.04
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Abstract

Das Buch ist der Versuch, die Dichotomie zwischen Geistes- und Naturwissenschaften mit einer allgemeinen Theorie des Geistes zu überwinden. Auf diesem Hintergrund wird u.a. gezeigt, dass Adorno und Habermas theoretische Schnittmengen mit Einstein und Heisenberg haben, die in den bisherigen Debatten übersehen wurden. M.a.W.: Dass man mit Elektronen nicht reden kann, schließt eine methodologische Einheit nicht aus.

BK

30.30 (Naturwissenschaften in Beziehung zu anderen Fachgebieten)

Classification

30.30 (Naturwissenschaften in Beziehung zu anderen Fachgebieten)

Kandel, E.R.: Reductionism in art and brain science : bridging the two cultures (2016) 0.04

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BK: 30.30 (Naturwissenschaften in Beziehung zu anderen Fachgebieten)
Classification: 30.30 (Naturwissenschaften in Beziehung zu anderen Fachgebieten)
Date: 14. 6.2019 12:22:37

Herrmann, D.B.: ¬Die Harmonie des Universums : von der rätselhaften Schönheit der Naturgesetze (2017) 0.03

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Field: Naturwissenschaften

Blackmore, S.J.: Gespräche über Bewußtsein (2012) 0.03

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RSWK: Bewusstsein / Naturwissenschaften / Interview
Subject: Bewusstsein / Naturwissenschaften / Interview

Sautoy, M. du: What we cannot know (2016) 0.02

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Date: 22. 6.2016 16:08:54
Field: Naturwissenschaften

Accidental information discovery : cultivating serendipity in the digital age (2016) 0.02

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BK: 06.99 Information und Dokumentation: Sonstiges
Classification: 06.99 Information und Dokumentation: Sonstiges

Hider, P.: Information resource description : creating and managing metadata (2012) 0.02

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BK: 06.99 (Information und Dokumentation: Sonstiges)
Classification: 06.99 (Information und Dokumentation: Sonstiges)

Eisenberg, G.: Zwischen Anarchismus und Populismus (2018) 0.02

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BK: 77.69 (Sozialpsychologie: Sonstiges)
Classification: 77.69 (Sozialpsychologie: Sonstiges)

Murphy, M.L.: Lexical meaning (2010) 0.02

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BK: 18.00 Einzelne Sprachen und Literaturen allgemein
Classification: 18.00 Einzelne Sprachen und Literaturen allgemein
Date: 22. 7.2013 10:53:30

Kaufmann, J.-C.: Wenn ICH ein anderer ist (2010) 0.01

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BK: 77.69 / Sozialpsychologie: Sonstiges
Classification: 77.69 / Sozialpsychologie: Sonstiges

Wu, T.: ¬The master switch : the rise and fall of information empires (2011) 0.01

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BK: 3.79 / Wirtschaftssektoren: Sonstiges
Classification: 3.79 / Wirtschaftssektoren: Sonstiges

Open initiatives : Offenheit in der digitalen Welt und Wissenschaft (2012) 0.01

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Content

Rez. in: FR Nr.214 vom 15.09.2010, S.23 (L. Reichmann): "Malerei, Literatur und Musik contra Medizin, Physik und Chemie: Geistes- und Naturwissenschaften empfinden viele als Gegensatzpaar. Genau das will der Londoner Hirnforscher Semir Zeki mit seinem Buch "Glanz und Elend des Gehirns - Neurobiolo- gie im Spiegel von Kunst, Musik und Literatur" ändern. Wie wir Sinneswahrnehmungen - was wir sehen, riechen, hören - verarbeiten, ist neurobiologisch erforscht. Unser Hirn erstellt Konzepte. Sehen wir beispielsweise das Blatt eines Baums, sagt uns unser Gehirn immer, dass es grün ist, auch wenn es in der Abendsonne eigentlich rot erscheinen müsste. Das Hirn hat also das Konzept abgespeichert, dass Blätter grün sind. Doch unser Gehirn kann natürlich noch viel mehr als nur Sinneseindrücke wahrnehmen: Es kann beurteilen, werten, erinnern, erwarten, deuten, mitfühlen. Aber wie leistet es solche Dinge, warum finden wir ein Kunstwerk schön oder fühlen mit einer Romanfigur mit? Zeki zeigt anhand von Kunstwerken, dass unser Hirn bei Musik, Literatur und der Liebe ähnliche Konzepte wie bei der Wahrnehmung von Sinneseindrücken nutzt. Als ein Beispiel dient ihm Michelangelos Kuppel des Petersdoms. Laut eigener Aussage entwarf der Künstler die Kuppel "oh- ne Berechnung, nur mit den Gefühlen, die einen großen Künstler leiten". Für Zeki steht fest: "Bei diesem 'Gefühl' handelt es sich natürlich um nichts anderes als das Konzept in seinem Gehirn." Zwar erläutert Zeki, dass Michelangelo vom "Göttlichen im Geiste" gesprochen habe und es sich dabei um ein Konzept handele. Doch wie dies entstanden sein könnte, erfährt der Leser nicht. Das macht der Autor erst am Beispiel des Malers Paul Cezanne klar. Cezanne sei überzeugt gewe- sen, dass das Sehen ein aktiver Prozess und die Details in einem Bild daher nicht wichtig seien. Aus dieser Annahme entwickelte sein Hirn demnach das Konzept der abstrakten Malerei. Seine Bilder seien immer weniger detailliert geworden, hätten sich also dem Hirnkonzept angenähert."

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