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Paolini, P.; Barbieri, T.; Loiudice, P.; Alonzo, F.; Zanti, M.; Gaia, G.: Visiting a museum together : how to share a visit to a virtual world (2000)
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Meyer, U.: Entwurf und Realisierung eines Hypermediasystems : vernetzte Informationen zu ausgewählten Bauplastiken in Hannover (1993)
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- Source
- Technik und Information: Markt, Medien und Methoden. Deutscher Dokumentartag 1992, Technische Universität Berlin, 22.-25.9.1992. Hrsg.: W. Neubauer u. K.-H. Meier
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- a
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Chenhall, R.; Blackaby, J.R.; Greeno, P.: ¬The revised nomenclature for museum cataloging : a revised and expanded version of Robert G. Chenhall's system for classifying man-made objects (1989)
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-
Schweibenz, W.: Museumsinformation im Internet am Beispiel der Webseiten zweier Kunstmuseen in den USA (1998)
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- Information und Märkte: 50. Deutscher Dokumentartag 1998, Kongreß der Deutschen Gesellschaft für Dokumentation e.V. (DGD), Rheinische Friedrich-Wilhelms-Universität Bonn, 22.-24. September 1998. Hrsg. von Marlies Ockenfeld u. Gerhard J. Mantwill
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- a
-
Regimbeau, G.: Acces thématiques aux oeuvres d'art contemporaines dans les banques de données (1998)
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- Abstract
- Discusses the possibilities and difficulties encountered when using a thematic index to search contemporary art databanks. Jaconde and Videomuseum, 2 French databanks, are used as examples. the core problems found in the study are the methods and limits of indexing in both systems. A thematic index should be developed that is better adapted to 20th century art, based on the complementary and reciprocal relationship between text and image, and which fully exploits hypertext
- Date
- 1. 8.1996 22:01:00
- Type
- a
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Wolters, C.: Object databases and thesauri for small museums (1991)
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- Abstract
- Twenty years of experience with computers in museums has led from the original 'purely scientific' objectives to a more down-to-earth approach aimed at rationalizing repetitive procedures. Dealing with fragmentary or unclean data is of primary concern. In the 'small museums' project useful techniques from the field of thesaurus applications are customized in daily practice for this purpose
- Source
- Classification, data analysis, and knowledge organization: models and methods with applications. Proc. of the 14th annual conf. of the Gesellschaft für Klassifikation, Univ. of Marburg, 12.-14.3.1990. Ed.: H.-H. Bock u. P. Ihm
- Type
- a
-
Leuchte, U.; Schirmbeck, H.-J.: BIADOK: das Projekt eines automatisierten und rechnergestützten Kunst- und Informationszentrums in Berlin (1992)
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Blummer, T.: Objektverwalter : Objektdatenbanken - High Tech Spielzeuge oder Zukunftsmodell? (1997)
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- Date
- 5. 3.1999 17:40:22
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- a
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Becker, H.-G.: MODS2FRBRoo : Ein Tool zur Anbindung von bibliografischen Daten an eine Ontologie für Begriffe und Informationen (2010)
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Poulter, A.; Sargent, G.; Fahy, A.: ¬The hypermuse project (1992)
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- Abstract
- Hypermedia offers a new paradigm for the design of information systems, yet there are few working applications. The best situation is for a database to hold information and a hypermedia package to provide the interface. Explains why museum information systems are ideal for investigating the augmentation of traditional databases with hypermedia. 2 leading examples in the UK are the Micro Gallery at the National Gallery and the Design Museum public catalogue. Describes a prototype development of an interface for the visiting public to allow access to the museum database. Object records from Leicestershire Museums local collection and the George III collection of early scientific instruments from the Science Museum, London, were used. Object records were stored on an IBM PC in dBase databases. The hypermedia front-end was built using Hypercard on a Macintosh LC computer. Covers system design and evaluation
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- a
-
Walsh, P.: ¬The neon paintbrush : seeing, technology, and the museum as metaphor (2000)
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Becker, H.-G.; Förster, F.: Vernetztes Wissen : Ereignisse in der bibliografischen Dokumentation (2010)
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Kampffmeyer, U.; Klönne, K.-H.: Moderne Informationsverarbeitung im Büro : elektronische Archivierung und Vorgangsbearbeitung (1993)
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Hesse, P.: Von Null auf Hundert : Anwendung einer Datenbank zur Objektverwaltung in den Reiss-Engelhorn-Museen Mannheim (2003)
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Maier, G.: Neue Zugänge zu Archivgut über das Internet : Das BSZ als Dienstleister für die Staatliche Archivverwaltung Baden-Württemberg (2003)
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Cataloging cultural objects: . Chicago: American Library Association, 396 p. ISBN 978-0-8389-3564-4 (pbk.) : a guide to describing cultural work and their images (2006)
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- Abstract
- For the first time, under the leadership of the Visual Resources Association, a cross section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions - from libraries to museums to archives to visual collections. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: promotes good descriptive cataloging and reduces redundancy; builds a foundation of shared documentation; creates data sharing opportunities; and, complements existing standards
- Footnote
- Rez. in: KO 34(2007) no.4, S. 264-265 (L.C. Howarth): "At a time when cataloguing code revision is continuing apace with the consolidation of the International Standard Bibliographic Description (ISBD), the drafting of RDA: Resource Description and Access, and the development of common principles for an international cataloguing code (International Meeting of Experts on an International Cataloguing Code [IME ICC]), the publication of a guide for cataloguing cultural objects is timely and purposeful. Compiling this data content standard on behalf of the Visual Resources Association, the five editors - with oversight from an advisory board - have divided the guide into three parts. Following a brief introduction outlining the purpose, intended audience, and scope and methodology for the publication, Part One, General Guidelines, explains both what the Cataloging Cultural Objects (CCO) guide is "a broad document that includes rules for formatting data, suggestions for required information, controlled vocabulary requirements, and display issues" (p. I) and is not "not a metadata element set per se" (p. 1). Part Two, Elements, is further divided into nine chapters dealing with one or more metadata elements, and describing the relationships between and among each element. Part Three, Authorities, discusses what elements to include in building authority records. A Selected Bibliography, Glossary, and Index, respectively, round out the guide.
As the editors note in their introduction, "Standards that guide data structure, data values, and data content form the basis for a set of tools that can lead to good descriptive cataloging, consistent documentation, shared records, and increased end-user access" (p. xi). The VRA Core Categories, for example, represent a set of metadata elements expressed within an XML structure (data structure). Likewise, the Art Architecture Thesaurus contains sets of terms and relationships, or defined data values. While much effort has been expended on developing both data structures and values, the editors argue, the third leg of the stool, data content, has received less attention. Unlike the library community with its Anglo-American Cataloging Rules [sic though RDA is referenced in the Selected Bibliography], or its archival equivalent, Describing Archives: A Content Standard (DACS), those in the domain of cultural heritage responsible for describing and documenting works of art, architecture, cultural artifacts, and their respective images, have not had the benefit of such data content standards. CCO is intended to address (or redress) that gap, emphasizing the exercise of good judgment and cataloguer discretion over the application of "rigid rules" [p. xii], and building on existing standards. ... Overall, Cataloging Cultural Objects with its attending guidelines for descriptive metadata and authority control for "one-of-a-kind cultural objects" should merit a place among the "well-established" data content standards of the library and archival communities that CCO references with obvious regard."
-
Mensing, P.: Planung und Durchführung von Digitalisierungsprojekten am Beispiel nicht-textueller Materialien (2010)
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Ferbeek, E.; Hellevort, M.: ¬Het afficheproject : onderwerpsontsluiting van affiches (1993)
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- Abstract
- A preliminary survey of poster collections in libraries, museums, and archives in the Netherlands revealed a wealth of material about which little was known. A deteiled survey was, therefore, undertaken in 1992 by the Rijksdienst Beeldende Kunst of 14 institutiions known to hold poster collections. As a result of the project the Database Nederlandse Affiches has been compiled to record details of the 72.000 items identified. Other institutions have now begun to submit details of their holdings to the database
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Marty, P.F.: On-line exhibit design : the sociotechnological impact of building a museum over the World Wide Web (2000)
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- Abstract
- This article examines the sociotechnological impact of introducing collaborative technologies into the Spurlock Museum, a museum of world history and culture at the University of Illinois
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Steffens, M.: Bibliothek im Museum : Bibliothekarisch orientierte Sammlungsverwaltung mit dem Datenbanksystem Allegro/HANS (1995)
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