-
Lepsky, K.; Müller, T.; Wille, J.: Metadata improvement for image information retrieval (2010)
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- Source
- Paradigms and conceptual systems in knowledge organization: Proceedings of the Eleventh International ISKO Conference, 23-26 February 2010 Rome, Italy. Edited by Claudio Gnoli and Fulvio Mazzocchi
- Year
- 2010
-
Scalla, M.: Auf der Phantom-Spur : Georges Didi-Hubermans neues Standardwerk über Aby Warburg (2006)
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- Date
- 6. 1.2011 11:22:12
- Footnote
- Vgl.: http://www.fr-online.de/kultur/literatur/auf-der-phantom-spur/-/1472266/5062826/-/index.html. Besprechungsaufsatz zu: Didi-Huberman, Georges: Das Nachleben der Bilder: Kunstgeschichte und Phantomzeit nach Aby Warburg. Frankfurt: Suhrkamp 2010.
-
Rorissa, A.: ¬A comparative study of Flickr tags and index terms in a general image collection (2010)
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- Source
- Journal of the American Society for Information Science and Technology. 61(2010) no.11, S.2230-2242
- Year
- 2010
-
Stvilia, B.; Jörgensen, C.: Member activities and quality of tags in a collection of historical photographs in Flickr (2010)
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- Source
- Journal of the American Society for Information Science and Technology. 61(2010) no.12, S.2477-2489
- Year
- 2010
-
Didi-Huberman, G.: ¬Das Nachleben der Bilder : Kunstgeschichte und Phantomzeit nach Aby Warburg (2010)
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- Year
- 2010
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Iyer, H.; Rorissa, A.: Representative images for browsing large image collections : a cognitive perspective
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- Source
- Paradigms and conceptual systems in knowledge organization: Proceedings of the Eleventh International ISKO conference, Rome, 23-26 February 2010, ed. Claudio Gnoli, Indeks, Frankfurt M
-
Scalla, M.: Bilder sehen Dich an : Horst Bredekamp auf den Spuren von Max Horkheimer und Theodor W. Adorno (2005)
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- Content
- Diese "lebendige Eigenkraft" der Bilder kann gefährlich, kann auch lästig werden, wenn sie zu unzulässiger Simplifizierung führt. Unschädlich lässt sie sich auf keinen Fall mehr machen, denn Bredekamp verortet sie bereits in frühen menschlichen Kulturen und erklärt sie zu einer anthropologischen Konstante. Verständnis und Distanz sind die Losungsworte des Wissenschaftlers. Die Menschen sollen Distanz gegenüber ihren autonomen Artefakten gewinnen. Wenn sie das schaffen, gilt: "Das Ich wird stärker, wenn es sich gegenüber der Aktivität des Bildes relativiert." Bredekamps Theorie hat unbestreitbar rationalisierende Effekte im Bilderkrieg. Doch ob das hier wahrlich nicht zum ersten Mal bemühte Ego das letzte Wort sein kann, ist eine offene Frage. Das wäre mehr "Minima moralia" als "Dialektik der Aufklärung". Wer soll dieses Ich sein? Der kunstgebildete Museumsbesucher, der Fälle von Idolatrie in der Gegenwart sofort entziffert? Der immun ist gegenüber ikonoklastischen Versuchungen? Oder ergibt sich aus dieser Theorie ein gesellschaftskritischer Ansatzpunkt, der institutionelle Hinweise für Museen, Medien oder Gesetzgeber enthält? Schließlich ist nicht nur die Moderne, sondern auch die Aufklärung ein unvollendetes Projekt." Besprechungsaufsatz zu: Bredekamp, H. Theorie des Bildakts. Frankfurt: Suhrkamp 2010.
