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  • × theme_ss:"Rechtsfragen"
  1. Warner, J.: Information society or cash nexus? : A study of the United States as a copyright haven (1999) 0.07
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  2. Thompson, N.J.: Intellectual property materials online/CD-ROM : what and where (1992) 0.07
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    Abstract
    Intellectual property encompasses the legal fields of copyright, patent, trademark, trade name, trade secret, unfair competition, moral rights and the rights of publicity. Gives a background to the United States Federal and state government intellectual property laws. Identifies online and CD-ROM sources of intellectual property and compares holdings on databanks in the United States. Discusses trademark and trade name searching, databases that retrieve legal opinions on intellectual property and patents
  3. Chen, X.: Fair use of electronic sources in libraries (1996) 0.06
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    Abstract
    This article explores some of the issues concerning the fair use doctrine, in particular, the fair use of electronic sources in a library setting. It reviews the purpose and application of this doctrine as embodied in the copyright law of the United States
  4. Information for industry : twenty-one years of the Library Association Industrial Group (1991) 0.06
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    Abstract
    Papers include: management of corporate knowledge, the enforced reorganization of industrial libraries, networking and cooperation, fee-based information services, information systems for the end user, copyright, marketing public sector business information, the British Library business information services and the provision of business information in Scotland
  5. Schwartz, E.: Like a book on a wire (1993) 0.04
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    Abstract
    Discusses the publishing of books online on the Internet, in the USA. The issues is treated mainly in relation to trade publishers. Outlines various ways in which such publishers have so far used the Internet, for example in the publishing of the full text of works of fiction, for publishing catalogues, and for presenting authors to the public via bulletin boards or electronic conferences. Notes a number or problems which arise: copyright, payment for accessing items, advertising restrictions, and the ease with which the published unit can be tampered with when available on the Internet. Also discusses collaboration and conflicts between publishers and the technology industry
    Source
    Publishers weekly. 240(1993) no.47, 22 Nov., S.33-35,38
  6. Warner, J.: So mechanical or routine : the not original in Feist (2010) 0.03
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    Abstract
    The United States Supreme Court case of 1991, Feist Publications, Inc. v. Rural Tel. Service Co., continues to be highly significant for property in data and databases, but remains poorly understood. The approach taken in this article contrasts with previous studies. It focuses upon the not original rather than the original. The delineation of the absence of a modicum of creativity in selection, coordination, and arrangement of data as a component of the not original forms a pivotal point in the Supreme Court decision. The author also aims at elucidation rather than critique, using close textual exegesis of the Supreme Court decision. The results of the exegesis are translated into a more formal logical form to enhance clarity and rigor. The insufficiently creative is initially characterized as so mechanical or routine. Mechanical and routine are understood in their ordinary discourse senses, as a conjunction or as connected by AND, and as the central clause. Subsequent clauses amplify the senses of mechanical and routine without disturbing their conjunction. The delineation of the absence of a modicum of creativity can be correlated with classic conceptions of computability. The insufficiently creative can then be understood as a routine selection, coordination, or arrangement produced by an automatic mechanical procedure or algorithm. An understanding of a modicum of creativity and of copyright law is also indicated. The value of the exegesis and interpretation is identified as its final simplicity, clarity, comprehensiveness, and potential practical utility.
  7. Warner, J.: Creativity for Feist (2013) 0.03
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    Abstract
    This paper develops an understanding of creativity to meet the requirements of the decision of the Supreme Court of the United States in Feist v. Rural (1991). The inclusion of creativity in originality, in a minimal degree of creativity, and in a creative spark below the level required for originality, is first established. Conditions for creativity are simultaneously derived. Clauses negatively implying creativity are then identified and considered. The clauses that imply creativity can be extensively correlated with conceptions of computability. The negative of creativity is then understood as an automatic mechanical or computational procedure or a so routine process that results in a highly routine product. Conversely, creativity invariantly involves a not mechanical procedure. The not mechanical is then populated by meaning, in accord with accepted distinctions, drawing on a range of discourses. Meaning is understood as a different level of analysis to the syntactic or mechanical and also as involving direct human engagement with meaning. As direct engagement with meaning, it can be connected to classic concepts of creativity, through the association of dissimilars. Creativity is finally understood as not mechanical human activity above a certain level of routinicity. Creativity is then integrated with a minimal degree of creativity and with originality. The level of creativity required for a minimal degree is identified as intellectual. The combination of an intellectual level with a sufficient amount of creativity can be read from the exchange values connected with the product of creative activity. Humanly created bibliographic records and indexes are then possible correlates to, or constituents of, a minimal degree of creativity. A four-stage discriminatory process for determining originality is then specified. Finally, the strength and value of the argument are considered.
  8. Williams, M.E.: ¬The Internet : implications for the information industry and database providers (1994) 0.03
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    Abstract
    Discusses the Internet and its implications fir the information industry and for database producers in particular. Considersa the Internet and its users, services and resources. Describes the origins of the Internet, its changing character from a research and educational tool to a growing commercial tool, and criticisms made against these changes. Discusses the size and growth of the Internet and a definiton of the terms and basic information about the Internet. Examines positive aspects of the Internet for the information industry with specific note of how database producers can take advantage of the Internet and scenarios covering activities that database producers can carry out through the Internet. Considers the negative aspects or imitations of the Internet, including reasons why paper products will remain as competitors and problems associated with copyright of products made available through the Internet. Concludes with a discussion of the opportunities provided for the information industry in terms of the products that need to be developed for the Internet
  9. Oppenheim, C.: ¬The implications of copyright legislation for electronic access to journal collections (1994) 0.02
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    Source
    Journal of document and text management. 2(1994) no.1, S.10-22
  10. Rees, J.: Information access versus document supply : the international visual arts information network project (1994) 0.02
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    Abstract
    Image content opens up exciting possibilities for stand-alone media, distributed networks, online networks, and on-site publishing from information systems for use by the general public, for research, collection management, education and distance learning. These developments coincide and overlap with widespread new questioning and thinking as to the role of museums in relation to their diverse publics and also may have many parallels in the library world. They raise difficult questions about intellectual propriety rights - copyright protection, fair renumeration and complex questions concerning moral rights. Clearly international cooperation, working partnerships and consortia are going to gain further importance and significance
    Source
    Interlending and document supply. 22(1994) no.1, S.20-24
  11. Oppenheim, C.: Recent EC initiatives on copyright (1993) 0.01
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    Source
    Information management report. 1993, Feb., S.9-13
  12. Oppenheim, C.: ¬The legal problems associated with electronic copyright management systems (1996) 0.01
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    Abstract
    Outlines existing treaties and legislation relating to copyright such as the Berne Convention, the Unfair Contract Terms Act and the concept of fair dealing. Assesses the role of Electronic Copyright Management Systems (ECMS) in protecting holders of rights; their relationship to the law in the UK, USA, and Europe; and their value in providing an agreed framework between libraries, users and publishers, so that the concept of the 'electronic' library can become a reality
    Source
    Information management report. 1996, May, S.11-16
  13. Vereinbarung über Vervielfältigung kopiergeschützter Werke (2005) 0.01
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    Content
    ""Zur Sammlung und Archivierung von Musikaufnahmen insbesondere für wissenschaftliche und kulturelle Zwecke darf Die Deutsche Bibliothek künftig auch kopiergeschützte Produkte kopieren", erklärt Gerd Gebhardt, Vorsitzender der deutschen Phonoverbände. Gleiches gilt auch für Werke aus Buchverlagen: "Nicht nur Bücher, sondern auch durch Rechtemanagementsysteme geschützte CD-ROMs oder eBooks dürfen von Der Deutschen Bibliothek nun zur Weitergabe an Berechtigte vervielfältigt werden", erklärt Wulf D. von Lucius, Vorsitzender des Urheberrechtsausschusses des Börsenvereins des Deutschen Buchhandels. Musikwirtschaft und Buchbranche haben zu diesem Zweck eine Vereinbarung mit Der Deutschen Bibliothek getroffen. Hiermit sind die berechtigten Interessen Der Deutschen Bibliothek und einzelner Nutzer, aber auch die Interessen der Rechteinhaber und Verwerter gesichert. Der Verbreitung von Kopien wird zunehmend mit Kopierschutz- und Digital Rights Management Systemen begegnet. Von dem im Urheberrechtsgesetz festgesetzten Verbot der Umgehung solcher technischer Schutzmaßnahmen ist auch Die Deutsche Bibliothek in ihrem Sammel-, Bereitstellungs- und Archivierungsauftrag als Nationalbibliothek betroffen. Um eine Langzeitarchivierung der von der Nationalbibliothek zu sammelnden Veröffentlichungen gewährleisten zu können, müssen die Medien in regelmäßigen Abständen an die aktuellen Datenformate, Betriebssysteme und Datenträger angepasst werden. Das Urheberrechtsgesetz sieht so genannte Schrankenregelungen vor, nach denen der Zugang zu urheberrechtlich geschützten Werken zu bestimmten Zwecken, wie zum Beispiel für wissenschaftliche und kulturelle Nutzungen, zulässig ist. Die letzte Novelle des Gesetzes, deren einschlägige Regelungen im September 2004 in Kraft getreten sind, sieht hierfür ausdrücklich die Möglichkeit von Vereinbarungen zwischen Verbänden vor, um diese Nutzungen auch von kopiergeschützten Medien zu ermöglichen. Als erste Branchen haben nun die Musikwirtschaft und die Buchbranche diese Möglichkeit genutzt und mit Der Deutschen Bibliothek eine vertragliche Vereinbarung geschlossen. "Die jetzt geschlossene Vereinbarung erlaubt Der Deutschen Bibliothek eine rationelle Erfüllung ihres gesetzlichen Auftrages und schafft Klarheit für den Umgang mit geschützten Medien wie Tonträgern und CD-ROMs im Verhältnis zu den Nutzern der Einrichtungen. Damit wird Rechtssicherheit für die Arbeit Der Deutschen Bibliothek geschaffen.", erklärt Elisabeth Niggemann, Generaldirektorin Der Deutschen Bibliothek. Nach der geschlossenen Vereinbarung darf Die Deutsche Bibliothek Vervielfältigungen für die eigene Archivierung, für den wissenschaftlichen Gebrauch von Nutzern, für Sammlungen für den Schul- oder Unterrichtsgebrauch, für Unterricht und Forschung sowie von vergriffenen Werken anfertigen. Um Missbrauch zu vermeiden, wird Die Deutsche Bibliothek das Interesse von Nutzern zur Anfertigung einer solchen gebührenpflichtigen Vervielfältigung prüfen und die Kopien möglichst mit personalisierten digitalen Wasserzeichen versehen. Ansprechpartner. Stephan Jockel, Pressesprecher, Die Deutsche Bibliothek. Tel.: 069 / 15 25 10 05, Claudia Paul, Referentin Presse und Information, Börsenverein des Deutschen Buchhandels. Tel.: 069 / 1306 293, Dr. Hartmut Spiesecke, Leiter der Presse- und Öffentlichkeitsarbeit, Bundesverband der Phonographischen Wirtschaft. Tel.: 030 / 59 00 38 22"
  14. Stolt, W.: Managing electronic resources : public service considerations in a technology environment (1996) 0.01
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    Abstract
    Outlines the effects of electronic collections in the public services realm. Points out the need to consider many other factors as well as the content of materials when making selection decisions. These include the resources needed for user training; access and presentation, including cooperation with other libraries; the provision of single or multiple access points and the implications of networking; staff skills in both computer technology and interaction and communication with users; copyright and other legal issues; management data; and other related costs of providing access to electronic resources
    Footnote
    Also published in: Collection management 21(1996) no.1, S.17-28
    Source
    Electronic resources: implications for collection management. Ed.: G.S. Owens
  15. Pagel, S.: Digital Rights Management (DRM) und Geolocation : Rechtemanagement in digitalen Medien (2006) 0.01
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    Abstract
    Aufgaben der Wissensorganisation fallen in hohem Maße auch in Medienunternehmen an. Dies wird üblicherweise unter dem Terminus 'Content Management' subsumiert. Neben der internen Abwicklung der redaktionellen Produktionsprozesse ist der Datenaustausch mit externen Marktpartnern von Wichtigkeit, wie Rechteinhabern einerseits und Rezipienten bzw. Konsumenten andererseits. Zunehmend geht es dabei um die Abbildung von Rechten und die Verschlüsselung von Medieninhalten, somit von Aufgaben des Rechtemanagements. Anhand der Vermarktung aktueller Sportgroßereignisse wie Olympia 2004 und der Fußball-WM 2006 werden diese Zusammenhänge unter medienökonomischen Vorzeichen beleuchtet. Die Notwendigkeit von gesellschaftlich akzeptierten Systemen für das Digital Rights Management soll dabei herausgearbeitet werden.
  16. Warwick, S.; Xie, H.I.: Copyright management information in electronic forms : user compliance and modes of delivery (1999) 0.01
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    Abstract
    Studies have indicated that various groups of intellectual property users are unaware of many aspects of copyright law and often do not understand that it applies to works in electronic forms, or are unconcerned with copyright restrictions. It is hypothesized that users would be more likely to conform to copyright law if a process could be developed that make it easier to access copyright management information on the Internet and in other electronic media. Before designing such a mechanism, the following research questions need to be addressed: 1) To what extent are users clear or concerned with obeying copyright law in the use of materials available in electronic formats? 2) Will users be more willing to comply with copyright law if copyright information is incorporated within electronic forms in a format that makes it easier to understand or easier to locate? 3) What amount of time are users willing to devote to locating copyright management information? and 4) What methods would users prefer to utilize in locating copyright management information? To address these questions a research instrument was developed and tested in a pilot study in which sixty students from two large higher public education institutions participated, 30 from New York City and 30 from Wisconsin. The instrument ascertained each participant's experience with electronic forms, the frequency with which they downloaded copyright materials, their level of concern regarding compliance with copyright law and their willingness to comply with copyright law if copyright management information was more effectively available. They were also asked to rank possible methods for locating copyright management information. Both qualitative and quantitative methods were employed to analyze the data. The results suggest that the participants would be more willing to comply with copyright law if copyright management information was easier to locate or to understand. The results also show that few users are willing to devote more than ten minutes to locating copyright management information. The study points to a need for an easy and rapid method to locate copyright management information within electronic forms and for increased user education about copyright law
  17. Oppenheim, C.: Electronic copyright (1993) 0.01
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    Source
    Information management report. 1993, Jan., S.9-14
  18. Forgeron, J.-F.; Haas, M.-E.: ¬La diffusion de documents electronique (1996) 0.01
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    Abstract
    Discusses copyright and electronic document delivery. However copyright is implemented legally, the principle of protecting an author's work remains the same. Offers collective management as a solution
  19. Zhao, D.G.; Ramsden, A.: Report on the ELINOR electronic library project (1995) 0.01
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    Abstract
    A pilot system was implemented in 1993. The pilot system is now being extended in terms of the subject coverage and network access. Covers the user aspect, the system architecture and copyright management of the ELINOR (Electronic Library INformation Online Retrieval) electronic library
  20. Keates, S.: New developments in intellectual property rights : protection and access for electronic documents (1995) 0.01
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    Abstract
    Examines 2 European Commission projects starting in Dec 95 aimed at managing access and protection for intellectual property. The Intellectual Multimedia Property Rights Model and Terminology for Universal References (IMPRIMATUR) project involves 16 partners with a network server in Italy. The Coordinating Project for Electronic Authors' Right Management Systems (COPEARMS) aims to develop the copyright in Transmitted Electronic Documents (CITED) work. Two other projects are also described: Copyright Ownership Protection in Computer Assisted Training (COPICAT) and MultiMedia Education System for Librarians Introducing Remote Interactive Processing of Electronic Documents (MURIEL)
    Source
    Information management report. 1995, Dec., S.14-16

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