Search (121 results, page 2 of 7)

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Abstract

Examines the legal aspects of the Internet: the solution of technical problems concerning the security of information, nets and resources and the solution of global problems of the Internet as a part of media in a democratic society; and how to secure the basic democratic values on the Internet as a free and non-ideological communication site. Using the examples of some legislative initiatives concerning the Internet, analyzes protection of the right of property, of the right of safety and of the right to freedom of speech. The Internet guarantees the rights and freedom of democratic societies. Provides an analysis of state attempts to control the Internet and problems linked to ethics among free users

Footnote

Contribution to an issue devoted to papers from the UNESCO conference Info-Ethics: first International Congress on Ethical, Legal and Societal Aspects of Digital Information, held in Monaco, 10-12 March, 1997

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Abstract

Gives an overview of copyright discussing: ownership, originality, restricted acts, international treaties, the legal basis of copyright, the definition of literary, dramatic and and musical works, and the role of fair dealing. Outlines copyright as it affects electronic media, discussing infringement of electronic copyright, and software copyright

Source

Internet world and document delivery world international 94: Proceedings of the 2nd Annual Conference, London, May 1994

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Abstract

This article explores some of the issues concerning the fair use doctrine, in particular, the fair use of electronic sources in a library setting. It reviews the purpose and application of this doctrine as embodied in the copyright law of the United States

Source

Proceedings of the 17th National Online Meeting 1996, New York, 14-16 May 1996. Ed.: M.E. Williams

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Abstract

Discusses the challenges to the role of map librarian posed by new digital map products. Considers factors impacting on the level and scope of user services in digital map libraries, including the physical forms in which digital spatial data are available, the comparative potential of paper maps and digital atlases; problems associated with the quality of resolution of digital map data on screen; the different levels of use of digital material; and requests for output and the copyright problem. 4 examples of digital databases and electronic atlases are described

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Abstract

Describes the Internet Public Library (IPL), a Web service provided by staff at the University of Michigan School of Information which makes available a wide range of full text files arranged according to the DDC and which tries to replicate many of the features of a public library in a Web environemnt. Reports the views of the group behind the project on a range of issues to do with the IPL, the Web, copyright and other legal aspects of electronic information, and the future of libraries

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Abstract

This paper develops an understanding of creativity to meet the requirements of the decision of the Supreme Court of the United States in Feist v. Rural (1991). The inclusion of creativity in originality, in a minimal degree of creativity, and in a creative spark below the level required for originality, is first established. Conditions for creativity are simultaneously derived. Clauses negatively implying creativity are then identified and considered. The clauses that imply creativity can be extensively correlated with conceptions of computability. The negative of creativity is then understood as an automatic mechanical or computational procedure or a so routine process that results in a highly routine product. Conversely, creativity invariantly involves a not mechanical procedure. The not mechanical is then populated by meaning, in accord with accepted distinctions, drawing on a range of discourses. Meaning is understood as a different level of analysis to the syntactic or mechanical and also as involving direct human engagement with meaning. As direct engagement with meaning, it can be connected to classic concepts of creativity, through the association of dissimilars. Creativity is finally understood as not mechanical human activity above a certain level of routinicity. Creativity is then integrated with a minimal degree of creativity and with originality. The level of creativity required for a minimal degree is identified as intellectual. The combination of an intellectual level with a sufficient amount of creativity can be read from the exchange values connected with the product of creative activity. Humanly created bibliographic records and indexes are then possible correlates to, or constituents of, a minimal degree of creativity. A four-stage discriminatory process for determining originality is then specified. Finally, the strength and value of the argument are considered.

Source

Journal of the American Society for Information Science and Technology. 64(2013) no.6, S.1173-1192

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Abstract

Describes ELINOR (Electronic Library Information Online Retrieval), the electronic library project of De Montfort University, based at Milton Keynes, UK. The project uses document image processing to build a document database containing the full contents of undergradutae texts, including copyright material and University documents. Against the background of the strategic aims of the multi campus university, describes the hardware and software used, the inputting of documents, searching and browsing, the use of a WWW interface, major issues in dealing with publishers, and the pricing model used. Briefly notes the results of a study of user satisfaction, and how use of the system is monitored

Footnote

Paper presented at an Anglo-German conference on the theme of resourcing for academic libraries

Source

New review of academic librarianship. 2(1996), S.91-100

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Abstract

Dealing with some of the effects of multimedia for those involved in the conventional publishing chain. Among the aspects dealt with are the rival formats for distribution and playback; how publishers are apporaching multimedia, and software companies approaching publishing; multimedia music; ownership copyright; and networking implications. Notes the role of SuperJANET in the UK in the area of multimedia networking, and the prospect of publishers beginning to use networks as a way of publishing and distributing their products

Footnote

Condensed version of a report published by the British Library Research and Development Department in Apr 94, entitled 'Multimedia publishing'

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Abstract

Discusses use of the Internet and WWW in searching for sources of information on the legal profession in the wider context of the searching techniques available. Reviews the Web sites available for monitoring legal developments, including: Legal Practice Newsletter; CyberNews; CyberSpace Law Center; CyberSpace Statutes; and online periodicals (Cornell's Journal of Online Law, CyberSpace Law Bibliography). Concludes with a review of sources of information on the legal aspects of electronic commerce, including copyright and intellectual property, and the legal impacts of the Internet

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Abstract

In addition to stipulating economic rights, the copyright laws of most nations grant authors a series of "moral rights." The development of digital information and the new possibilities for information processing and transmission have given added significance to moral rights. This article briefly explains the content and characteristics of moral rights, and assesses the most important aspects of legislation in this area. The basic problems of the digital environment with respect to moral rights are discussed, and some suggestions are made for the international harmonization of rules controlling these rights

Source

Journal of the American Society for Information Science and technology. 52(2001) no.2, S.109-117

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Abstract

The United States Supreme Court case of 1991, Feist Publications, Inc. v. Rural Tel. Service Co., continues to be highly significant for property in data and databases, but remains poorly understood. The approach taken in this article contrasts with previous studies. It focuses upon the not original rather than the original. The delineation of the absence of a modicum of creativity in selection, coordination, and arrangement of data as a component of the not original forms a pivotal point in the Supreme Court decision. The author also aims at elucidation rather than critique, using close textual exegesis of the Supreme Court decision. The results of the exegesis are translated into a more formal logical form to enhance clarity and rigor. The insufficiently creative is initially characterized as so mechanical or routine. Mechanical and routine are understood in their ordinary discourse senses, as a conjunction or as connected by AND, and as the central clause. Subsequent clauses amplify the senses of mechanical and routine without disturbing their conjunction. The delineation of the absence of a modicum of creativity can be correlated with classic conceptions of computability. The insufficiently creative can then be understood as a routine selection, coordination, or arrangement produced by an automatic mechanical procedure or algorithm. An understanding of a modicum of creativity and of copyright law is also indicated. The value of the exegesis and interpretation is identified as its final simplicity, clarity, comprehensiveness, and potential practical utility.

Source

Journal of the American Society for Information Science and Technology. 61(2010) no.4, S.820-834

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Abstract

Describes the origins of the use of CD-ROMs in libraries and reviews the use of a 3-tier CD-ROM service in libraries in education based upon the expierience of Birminghampton University Library. This comprises: standalone CD-ROM workstations; CD-ROMs on a local area network; and CD-ROM networking on a wide area network. Discusses problems relating to the hardware, licensing and selction and describes the training implications of the introduction of CD-ROMs in academic libraries

Source

British journal of academic librarianship. 6(1991) no.3, S.175-183

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Abstract

Explains copyright as it affects electronic databases tressing that there is no copyright in an electronic form of a record in itself, only in a service and its content. Regrets the lack of reaction from right owners to a set of European Association of Scientific Information and Dissemination Centres (EUSIDIC) Guidelines covering information brokers and downloading and discusses the Commission of the European Communities draft directive on the legal protection of databases. Recommends close consultation with rights owners where confusion arises until the formulation of minimum downloading standards

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Abstract

Explores some of the practical difficulties associated with the management information as a commodity, and sketches a framework in which to address the problem in the context of electronic publishing. The strategy is based on the integration of 2 groups of technologies, collectively refereed to as 'secure SGML' which merges the platform-independent data representation offered by the Standard Generalized Markup Language (SGML) and related standards with the privacy and authentication functions offered by recent advances in key cryptography. This scheme allows implementation of a licensing strategy, thereby providing a means of addressing problematic copyright and public policy issues associated with digital media. Libraries can play a key role in the installation and maintenance of the infrastructure required to support new forms of information transaction

Source

Journal of scholarly publishing. 25(1994) no.3, S.146-156

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Abstract

There is much interest at present in electronic publishing and electronic libraries. The vast bulk of material in libraries today is not held in electronic format. For electronic libraries to flourish, methods of converting the existing corpus of material to electronic format must be found. This paper emphasises the problems that may be encountered in the digitisation process and pays attention to the intended use of the digitised material. There is a list of 5 areas, scanner resolution and design, grey scale and colour content of the original material and speed of scanning, for special consideration. The problems of indexing and copyright are considered briefly

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Abstract

This article details the public policy framework that establishes the legal foundation for requiring access to Web-based information resources for people with disabilities. Particular areas of focus include: the application of the fair use doctrine to an understanding of disability access to digital information; the application of the Americans with Disabilities Act and Section 504 of the Rehabilitation Act to Web-based services; and the application of Section 508 of the Rehabilitation Act to Federal Web-based resources and the extent to which Section 508 may be applicable to states through linkage under the Assistive Technology Act.

Content

Part of a Special Issue: Accessibility of web-based information resources for people with disabilities: part 2. Vgl. auch unter: http://www.emeraldinsight.com/10.1108/07378830210452604.

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Abstract

Discusses briefly issues relating to the copyright protection of databases, with particular reference to the European Community's Draft directive on the legal protection of databases

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Abstract

One year after the World Interllectual Property Organization conference in Geneva, the European Commission has recognized its proposal for the directive on the harmonisation of certain aspects of authors' and related rights in the information society. The text is a keystone of european legislation in the area of intellectual property and gives the first complete definition of the 2 major components of the authors' rights, the right of reproduction and the right of communication to the public, and endeavors to adapt these to the new electronic environment. This definition has consequences for owners as well for users. It governs the future methods of utilization of works on the network and designates the strength of relations among the different participants in the information society

Footnote

Übers. des Titels: The current status of authors' rights in the information society

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Date

31.12.2003 18:22:38

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Content

""Zur Sammlung und Archivierung von Musikaufnahmen insbesondere für wissenschaftliche und kulturelle Zwecke darf Die Deutsche Bibliothek künftig auch kopiergeschützte Produkte kopieren", erklärt Gerd Gebhardt, Vorsitzender der deutschen Phonoverbände. Gleiches gilt auch für Werke aus Buchverlagen: "Nicht nur Bücher, sondern auch durch Rechtemanagementsysteme geschützte CD-ROMs oder eBooks dürfen von Der Deutschen Bibliothek nun zur Weitergabe an Berechtigte vervielfältigt werden", erklärt Wulf D. von Lucius, Vorsitzender des Urheberrechtsausschusses des Börsenvereins des Deutschen Buchhandels. Musikwirtschaft und Buchbranche haben zu diesem Zweck eine Vereinbarung mit Der Deutschen Bibliothek getroffen. Hiermit sind die berechtigten Interessen Der Deutschen Bibliothek und einzelner Nutzer, aber auch die Interessen der Rechteinhaber und Verwerter gesichert. Der Verbreitung von Kopien wird zunehmend mit Kopierschutz- und Digital Rights Management Systemen begegnet. Von dem im Urheberrechtsgesetz festgesetzten Verbot der Umgehung solcher technischer Schutzmaßnahmen ist auch Die Deutsche Bibliothek in ihrem Sammel-, Bereitstellungs- und Archivierungsauftrag als Nationalbibliothek betroffen. Um eine Langzeitarchivierung der von der Nationalbibliothek zu sammelnden Veröffentlichungen gewährleisten zu können, müssen die Medien in regelmäßigen Abständen an die aktuellen Datenformate, Betriebssysteme und Datenträger angepasst werden. Das Urheberrechtsgesetz sieht so genannte Schrankenregelungen vor, nach denen der Zugang zu urheberrechtlich geschützten Werken zu bestimmten Zwecken, wie zum Beispiel für wissenschaftliche und kulturelle Nutzungen, zulässig ist. Die letzte Novelle des Gesetzes, deren einschlägige Regelungen im September 2004 in Kraft getreten sind, sieht hierfür ausdrücklich die Möglichkeit von Vereinbarungen zwischen Verbänden vor, um diese Nutzungen auch von kopiergeschützten Medien zu ermöglichen. Als erste Branchen haben nun die Musikwirtschaft und die Buchbranche diese Möglichkeit genutzt und mit Der Deutschen Bibliothek eine vertragliche Vereinbarung geschlossen. "Die jetzt geschlossene Vereinbarung erlaubt Der Deutschen Bibliothek eine rationelle Erfüllung ihres gesetzlichen Auftrages und schafft Klarheit für den Umgang mit geschützten Medien wie Tonträgern und CD-ROMs im Verhältnis zu den Nutzern der Einrichtungen. Damit wird Rechtssicherheit für die Arbeit Der Deutschen Bibliothek geschaffen.", erklärt Elisabeth Niggemann, Generaldirektorin Der Deutschen Bibliothek. Nach der geschlossenen Vereinbarung darf Die Deutsche Bibliothek Vervielfältigungen für die eigene Archivierung, für den wissenschaftlichen Gebrauch von Nutzern, für Sammlungen für den Schul- oder Unterrichtsgebrauch, für Unterricht und Forschung sowie von vergriffenen Werken anfertigen. Um Missbrauch zu vermeiden, wird Die Deutsche Bibliothek das Interesse von Nutzern zur Anfertigung einer solchen gebührenpflichtigen Vervielfältigung prüfen und die Kopien möglichst mit personalisierten digitalen Wasserzeichen versehen. Ansprechpartner. Stephan Jockel, Pressesprecher, Die Deutsche Bibliothek. Tel.: 069 / 15 25 10 05, Claudia Paul, Referentin Presse und Information, Börsenverein des Deutschen Buchhandels. Tel.: 069 / 1306 293, Dr. Hartmut Spiesecke, Leiter der Presse- und Öffentlichkeitsarbeit, Bundesverband der Phonographischen Wirtschaft. Tel.: 030 / 59 00 38 22"