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Abstract

A multilingual thesaurus' development needs the appropriate methodological considerations not only for linguistics, but also cultural heterogeneity, as demonstrated in this report on the multilingual project of the Art & Architecture Thesaurus (AAT) in the Chinese language, which has been a collaboration between the Academia Sinica Center for Digital Culture and the Getty Research Institute for more than a decade. After a brief overview of the project, the paper will introduce a holistic methodology for considering how to enable Western art to be accessible to Chinese users and Chinese art accessible to Western users. The conceptual and structural issues will be discussed, especially the challenges of developing terminology in two different cultures. For instance, some terms shared by Western and Chinese cultures could be understood differently in each culture, which raises questions regarding their locations within the hierarchical structure of the AAT. Finally, the report will provide cases to demonstrate how the Chinese-Language AAT language supports online exhibitions, digital humanities and linking of digital art history content to the web of data.

Theme

Konzeption und Anwendung des Prinzips Thesaurus

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Abstract

Durch die ständig wachsende internationale Vernetzung ist auch bei der Suche nach Information seit langem eine intensive Entwicklung in Richtung Mehrsprachigkeit feststellbar. Diese wird meist von den Systemen und Technologien her betrachtet. Im informationellen Kontext ist auch die Seite der Nutzer*innen hinzuzuziehen, die etwa in Hinblick auf ihre Mehrsprachigkeit sehr unterschiedlich einzuschätzen sind. Kompetenzen in verschiedenen Sprachen sind eher die Regel als reiner Monolingualismus, der heute nur sehr selten vorzufinden ist. Die Nutzer*innen unterscheiden sich in den Niveaus ihrer Sprachkompetenz, die von rudimentärem Sprachverständnis bis hin zu muttersprachlichen Fähigkeiten reichen. Es wird zunehmend zur Gewohnheit und auch zur Notwendigkeit, auf multilinguale Kollektionen zuzugreifen und nach Information nicht nur in der Muttersprache zu suchen. Oft hängt dies auch davon ab, ob in beruflichen oder privaten Umgebungen mit entsprechenden Zielsetzungen gesucht wird. Information bleibt Information, auch wenn verschiedene Sprachen aufeinandertreffen, was z. B. für verschiedene mediale Formen von Informationsobjekten wie z. B. Bilder gilt.

Source

Grundlagen der Informationswissenschaft. Hrsg.: Rainer Kuhlen, Dirk Lewandowski, Wolfgang Semar und Christa Womser-Hacker. 7., völlig neu gefasste Ausg