Search (315 results, page 15 of 16)

  • × theme_ss:"Information"
  1. Leydesdorff, L.; Ivanova, I.A.: Mutual redundancies in interhuman communication systems : steps toward a calculus of processing meaning (2014) 0.00 
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    Date
    29. 1.2014 16:44:54
  2. Krebs, J.: Information transfer as a metaphor (2014) 0.00 
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    Pages
    S.29-40
  3. Bredemeier, W.: Was ist die deutsche Informationspolitik wert? : BMBF-Positionspapier - Studie von Arthur D. Little (2002) 0.00 
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    Date
    22. 2.2003 12:30:50
  4. Raban, D.R.; Rafaeli, S.: ¬The effect of source nature and status on the subjective value of information (2006) 0.00 
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    Date
    22. 7.2006 15:09:35
  5. Curcio, R.: ¬Das virtuelle Reich : die Kolonialisierung der Phantasie und die soziale Kontrolle (2017) 0.00 
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    Date
    18. 9.2018 12:57:22
  6. Franken, G.: Weglassen öffnet den Weg zur Welt : BuchMalerei und Wortarchitektur von Elisabeth Jansen in Küchenhof-Remise (2004) 0.00 
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    Date
    3. 5.1997 8:44:22
  7. Zhang, P.; Soergel, D.: Towards a comprehensive model of the cognitive process and mechanisms of individual sensemaking (2014) 0.00 
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    Date
    22. 8.2014 16:55:39
  8. Albright, K.: Multidisciplinarity in information behavior : expanding boundaries or fragmentation of the field? (2010) 0.00 
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    Date
    16. 3.2019 17:32:22
  9. Yang, F.; Zhang, X.: Focal fields in literature on the information divide : the USA, China, UK and India (2020) 0.00 
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    Date
    13. 2.2020 18:22:13
  10. Hartel, J.: ¬The red thread of information (2020) 0.00 
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    Date
    30. 4.2020 21:03:22
  11. Belabbes, M.A.; Ruthven, I.; Moshfeghi, Y.; Rasmussen Pennington, D.: Information overload : a concept analysis (2023) 0.00 
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    Date
    22. 4.2023 19:27:56
  12. Burnett, R.: How images think (2004) 0.00 
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    Footnote
    Rez. in: JASIST 56(2005) no.10, S.1126-1128 (P.K. Nayar): "How Images Think is an exercise both in philosophical meditation and critical theorizing about media, images, affects, and cognition. Burnett combines the insights of neuroscience with theories of cognition and the computer sciences. He argues that contemporary metaphors - biological or mechanical - about either cognition, images, or computer intelligence severely limit our understanding of the image. He suggests in his introduction that "image" refers to the "complex set of interactions that constitute everyday life in image-worlds" (p. xviii). For Burnett the fact that increasing amounts of intelligence are being programmed into technologies and devices that use images as their main form of interaction and communication-computers, for instance-suggests that images are interfaces, structuring interaction, people, and the environment they share. New technologies are not simply extensions of human abilities and needs-they literally enlarge cultural and social preconceptions of the relationship between body and mind. The flow of information today is part of a continuum, with exceptional events standing as punctuation marks. This flow connects a variety of sources, some of which are continuous - available 24 hours - or "live" and radically alters issues of memory and history. Television and the Internet, notes Burnett, are not simply a simulated world-they are the world, and the distinctions between "natural" and "non-natural" have disappeared. Increasingly, we immerse ourselves in the image, as if we are there. We rarely become conscious of the fact that we are watching images of events-for all perceptioe, cognitive, and interpretive purposes, the image is the event for us. The proximity and distance of viewer from/with the viewed has altered so significantly that the screen is us. However, this is not to suggest that we are simply passive consumers of images. As Burnett points out, painstakingly, issues of creativity are involved in the process of visualization-viewwes generate what they see in the images. This involves the historical moment of viewing-such as viewing images of the WTC bombings-and the act of re-imagining. As Burnett puts it, "the questions about what is pictured and what is real have to do with vantage points [of the viewer] and not necessarily what is in the image" (p. 26). In his second chapter Burnett moves an to a discussion of "imagescapes." Analyzing the analogue-digital programming of images, Burnett uses the concept of "reverie" to describe the viewing experience. The reverie is a "giving in" to the viewing experience, a "state" in which conscious ("I am sitting down an this sofa to watch TV") and unconscious (pleasure, pain, anxiety) processes interact. Meaning emerges in the not-always easy or "clean" process of hybridization. This "enhances" the thinking process beyond the boundaries of either image or subject. Hybridization is the space of intelligence, exchange, and communication.
  13. Bruner, J.: From communication to language (1975) 0.00 
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    Date
    29. 5.2003 17:05:34
  14. Abele, J.; Bovenschulte, M.: Wissen vermitteln - aber wie? : Zur politischen Notwendigkeit eines Public Understanding of Science (2003) 0.00 
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    Date
    29. 1.1997 18:49:05
  15. Klix, F.: ¬Die Natur des Verstandes (1992) 0.00 
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    Date
    3. 3.2008 16:36:29
  16. Gleick, J.: ¬Die Information : Geschichte, Theorie, Flut (2011) 0.00 
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    Date
    29. 5.2012 10:33:14
  17. Medien und Kommunikation : Konstruktionen von Wirklichkeit (1990-91) 0.00 
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    Date
    15.10.1995 11:44:22
  18. Stoyan, H.: Information in der Informatik (2004) 0.00 
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    Date
    5. 4.2013 10:22:48
  19. San Segundo, R.: ¬A new conception of representation of knowledge (2004) 0.00 
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    Date
    2. 1.2005 18:22:25
  20. Michel, S.: ¬Der Erfolg der Entfesselungskünstler : Gelungene Kooperation: "Vom Boten zum Bit" im Museum für Kommunikation (2003) 0.00 
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    Date
    12. 2.1996 22:34:46

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